~ubuntu-branches/ubuntu/utopic/lmms/utopic : revision 41

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<?xml version="1.0" encoding="utf-8"?>

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<!DOCTYPE TS>

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<name>AboutDialog</name>

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<source>About LMMS</source>

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</message>

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<source>LMMS (Linux MultiMedia Studio)</source>

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</message>

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<source>Version %1 (%2/%3, Qt %4, %5)</source>

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</message>

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<source>About</source>

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<translation type="unfinished">Sobre</translation>

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</message>

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<source>LMMS - easy music production for everyone</source>

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</message>

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<source>Authors</source>

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</message>

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<source>Translation</source>

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</message>

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<source>Current language not translated (or native English).

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If you're interested in translating LMMS in another language or want to improve existing translations, you're welcome to help us! Simply contact the maintainer!</source>

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</message>

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<source>License</source>

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</message>

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</message>

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<source><html><head/><body><a href="http://lmms.sourceforge.net">http://lmms.sourceforge.net</a></body></html></source>

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</message>

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</context>

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<name>AudioAlsa::setupWidget</name>

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<source>DEVICE</source>

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<translation type="unfinished">DISPOSITIVO</translation>

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</message>

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<source>CHANNELS</source>

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<translation type="unfinished">CANAIS</translation>

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</message>

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</context>

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<name>AudioFileProcessorView</name>

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<source>Open other sample</source>

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<translation type="unfinished">Abrir outra amostra</translation>

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</message>

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<source>Click here, if you want to open another audio-file. A dialog will appear where you can select your file. Settings like looping-mode, start and end-points, amplify-value, and so on are not reset. So, it may not sound like the original sample.</source>

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</message>

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<source>Reverse sample</source>

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<translation type="unfinished">Amostra reversa</translation>

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</message>

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<source>If you enable this button, the whole sample is reversed. This is useful for cool effects, e.g. a reversed crash.</source>

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<translation type="unfinished">Se você ativar este botão, toda a amostra será invertida. Isto é útil para fazer uns efeitos legais, ex. um ruído elétrico ao contrário.</translation>

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</message>

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<source>Loop sample at start- and end-point</source>

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<translation type="unfinished">Amostra em loop do ponto de início ao de fim</translation>

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</message>

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<source>Here you can set, whether looping-mode is enabled. If enabled, AudioFileProcessor loops between start and end-points of a sample until the whole note is played. This is useful for things like string and choir samples.</source>

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</message>

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<source>Amplify:</source>

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<translation type="unfinished">Amplificar:</translation>

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</message>

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<source>With this knob you can set the amplify ratio. When you set a value of 100% your sample isn't changed. Otherwise it will be amplified up or down (your actual sample-file isn't touched!)</source>

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</message>

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<source>Startpoint:</source>

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<translation type="unfinished">Ponto de início:</translation>

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</message>

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<source>With this knob you can set the point where AudioFileProcessor should begin playing your sample. If you enable looping-mode, this is the point to which AudioFileProcessor returns if a note is longer than the sample between the start and end-points.</source>

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</message>

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<source>Endpoint:</source>

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<translation type="unfinished">Ponto final:</translation>

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</message>

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<source>With this knob you can set the point where AudioFileProcessor should stop playing your sample. If you enable looping-mode, this is the point where AudioFileProcessor returns if a note is longer than the sample between the start and end-points.</source>

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</message>

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<source>Continue sample playback across notes</source>

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</message>

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<source>Enabling this option makes the sample continue playing across different notes - if you change pitch, or the note length stops before the end of the sample, then the next note played will continue where it left off. To reset the playback to the start of the sample, insert a note at the bottom of the keyboard (< 20 Hz)</source>

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</message>

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</context>

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<name>AudioFileProcessorWaveView</name>

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<source>Sample length:</source>

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</message>

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</context>

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<name>AudioJack</name>

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<source>JACK client restarted</source>

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</message>

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<source>LMMS was kicked by JACK for some reason. Therefore the JACK backend of LMMS has been restarted. You will have to make manual connections again.</source>

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</message>

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<source>JACK server down</source>

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</message>

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<source>The JACK server seems to have been shutdown and starting a new instance failed. Therefore LMMS is unable to proceed. You should save your project and restart JACK and LMMS.</source>

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</message>

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</context>

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<name>AudioJack::setupWidget</name>

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<source>CLIENT-NAME</source>

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<translation type="unfinished">NOME-DO-CLIENTE</translation>

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</message>

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<source>CHANNELS</source>

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<translation type="unfinished">CANAIS</translation>

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</message>

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</context>

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<name>AudioOss::setupWidget</name>

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<source>DEVICE</source>

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<translation type="unfinished">DISPOSITIVO</translation>

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</message>

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<source>CHANNELS</source>

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<translation type="unfinished">CANAIS</translation>

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</message>

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</context>

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<name>AudioPortAudio::setupWidget</name>

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<source>BACKEND</source>

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</message>

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<source>DEVICE</source>

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<translation type="unfinished">DISPOSITIVO</translation>

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</message>

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</context>

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<name>AudioPulseAudio::setupWidget</name>

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<source>DEVICE</source>

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<translation type="unfinished">DISPOSITIVO</translation>

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</message>

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<source>CHANNELS</source>

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<translation type="unfinished">CANAIS</translation>

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</message>

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</context>

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<name>AudioSdl::setupWidget</name>

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<source>DEVICE</source>

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<translation type="unfinished">DISPOSITIVO</translation>

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</message>

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</context>

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<name>AutomatableModel</name>

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<source>&Reset (%1%2)</source>

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</message>

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<source>&Copy value (%1%2)</source>

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<translation type="unfinished">&Copiar valor (%1%2)</translation>

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</message>

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<source>&Paste value (%1%2)</source>

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<translation type="unfinished">C&olar valor (%1%2)</translation>

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</message>

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<source>Edit song-global automation</source>

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</message>

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<source>Connected to %1</source>

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</message>

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<source>Connected to controller</source>

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</message>

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<source>Edit connection...</source>

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</message>

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<source>Remove connection</source>

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</message>

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<source>Connect to controller...</source>

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</message>

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<source>Remove song-global automation</source>

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</message>

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<source>Remove all linked controls</source>

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</message>

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</context>

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<name>AutomationEditor</name>

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<source>Play/pause current pattern (Space)</source>

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<translation type="unfinished">Tocar/pausar padrão atual (Espaço)</translation>

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</message>

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<source>Stop playing of current pattern (Space)</source>

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<translation type="unfinished">Parar de tocar o padrão atual (Espaço)</translation>

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</message>

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<source>Click here if you want to play the current pattern. This is useful while editing it. The pattern is automatically looped when the end is reached.</source>

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</message>

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<source>Click here if you want to stop playing of the current pattern.</source>

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</message>

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<source>Draw mode (Shift+D)</source>

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</message>

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<source>Erase mode (Shift+E)</source>

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</message>

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<source>Click here and draw-mode will be activated. In this mode you can add and move single values. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode.</source>

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</message>

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<source>Click here and erase-mode will be activated. In this mode you can erase single values. You can also press 'Shift+E' on your keyboard to activate this mode.</source>

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</message>

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<source>Cut selected values (Ctrl+X)</source>

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</message>

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<source>Copy selected values (Ctrl+C)</source>

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</message>

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<source>Paste values from clipboard (Ctrl+V)</source>

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</message>

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<source>Click here and selected values will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.</source>

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</message>

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<source>Click here and selected values will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.</source>

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</message>

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<source>Click here and the values from the clipboard will be pasted at the first visible measure.</source>

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</message>

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<source>Automation Editor - no pattern</source>

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</message>

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<source>Automation Editor - %1</source>

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</message>

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<source>Please open an automation pattern with the context menu of a control!</source>

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</message>

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<source>Values copied</source>

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</message>

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<source>All selected values were copied to the clipboard.</source>

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</message>

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<source>Discrete progression</source>

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</message>

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<source>Linear progression</source>

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</message>

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<source>Cubic Hermite progression</source>

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</message>

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<source>Tension: </source>

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</message>

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<source>Click here to choose discrete progressions for this automation pattern. The value of the connected object will remain constant between control points and be set immediately to the new value when each control point is reached.</source>

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</message>

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<source>Click here to choose linear progressions for this automation pattern. The value of the connected object will change at a steady rate over time between control points to reach the correct value at each control point without a sudden change.</source>

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</message>

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<source>Click here to choose cubic hermite progressions for this automation pattern. The value of the connected object will change in a smooth curve and ease in to the peaks and valleys.</source>

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</message>

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<source>Tension value for spline</source>

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</message>

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<source>A higher tension value may make a smoother curve but overshoot some values. A low tension value will cause the slope of the curve to level off at each control point.</source>

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</message>

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</context>

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<name>AutomationPattern</name>

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<source>Drag a control while pressing <Ctrl></source>

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</message>

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</context>

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<name>AutomationPatternView</name>

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<source>double-click to open this pattern in automation editor</source>

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</message>

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<source>Open in Automation editor</source>

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</message>

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<source>Clear</source>

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</message>

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<source>Reset name</source>

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<translation type="unfinished">Restaurar nome</translation>

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</message>

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<source>Change name</source>

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<translation type="unfinished">Mudar nome</translation>

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</message>

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<source>%1 Connections</source>

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</message>

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<source>Disconnect "%1"</source>

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</message>

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</context>

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<name>AutomationTrack</name>

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<source>Automation track</source>

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</message>

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</context>

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<name>Controller</name>

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<source>Controller %1</source>

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</message>

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</context>

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<name>ControllerConnectionDialog</name>

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<source>Connection Settings</source>

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</message>

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<source>MIDI CONTROLLER</source>

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</message>

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<source>Input channel</source>

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</message>

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<source>CHANNEL</source>

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<translation type="unfinished">CANAL</translation>

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</message>

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<source>Input controller</source>

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</message>

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<source>CONTROLLER</source>

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</message>

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<source>Auto Detect</source>

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</message>

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<source>MIDI-devices to receive MIDI-events from</source>

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<translation type="unfinished">Dispositivos MIDI para receber eventos MIDI de</translation>

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</message>

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<source>USER CONTROLLER</source>

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</message>

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<source>MAPPING FUNCTION</source>

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</message>

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</message>

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<source>Cancel</source>

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<translation type="unfinished">Cancelar</translation>

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</message>

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</message>

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<source>Cycle Detected.</source>

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</message>

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</context>

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<name>ControllerRackView</name>

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<source>Controller Rack</source>

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</message>

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</message>

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<source>Confirm Delete</source>

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</message>

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<source>Confirm delete? There are existing connection(s) associted with this controller. There is no way to undo.</source>

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</message>

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</context>

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<name>ControllerView</name>

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<source>Controls</source>

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</message>

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<source>Controllers are able to automate the value of a knob, slider, and other controls.</source>

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</message>

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<source>Rename controller</source>

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</message>

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<source>Enter the new name for this controller</source>

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</message>

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<source>&Remove this plugin</source>

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</message>

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</message>

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</context>

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<name>Effect</name>

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<source>Effect enabled</source>

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</message>

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</message>

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</message>

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<source>Decay</source>

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</message>

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</context>

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<name>EffectChain</name>

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<source>Effects enabled</source>

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</message>

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</context>

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<name>EffectRackView</name>

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<source>EFFECTS CHAIN</source>

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</message>

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<source>Add effect</source>

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</message>

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</context>

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<name>EffectSelectDialog</name>

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<source>Add effect</source>

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</message>

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<source>Plugin description</source>

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</message>

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</context>

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<name>EffectView</name>

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<source>Toggles the effect on or off.</source>

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</message>

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</message>

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</message>

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<source>Wet Level:</source>

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</message>

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<source>The Wet/Dry knob sets the ratio between the input signal and the effect signal that forms the output.</source>

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</message>

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<source>DECAY</source>

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</message>

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</message>

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<source>The Decay knob controls how many buffers of silence must pass before the plugin stops processing. Smaller values will reduce the CPU overhead but run the risk of clipping the tail on delay and reverb effects.</source>

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</message>

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<translation type="unfinished">PORTAL</translation>

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</message>

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</message>

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<source>The Gate knob controls the signal level that is considered to be 'silence' while deciding when to stop processing signals.</source>

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</message>

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<source>Controls</source>

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</message>

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<source>Effect plugins function as a chained series of effects where the signal will be processed from top to bottom.

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The On/Off switch allows you to bypass a given plugin at any point in time.

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The Wet/Dry knob controls the balance between the input signal and the effected signal that is the resulting output from the effect. The input for the stage is the output from the previous stage. So, the 'dry' signal for effects lower in the chain contains all of the previous effects.

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The Decay knob controls how long the signal will continue to be processed after the notes have been released. The effect will stop processing signals when the volume has dropped below a given threshold for a given length of time. This knob sets the 'given length of time'. Longer times will require more CPU, so this number should be set low for most effects. It needs to be bumped up for effects that produce lengthy periods of silence, e.g. delays.

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The Gate knob controls the 'given threshold' for the effect's auto shutdown. The clock for the 'given length of time' will begin as soon as the processed signal level drops below the level specified with this knob.

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The Controls button opens a dialog for editing the effect's parameters.

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Right clicking will bring up a context menu where you can change the order in which the effects are processed or delete an effect altogether.</source>

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</message>

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</message>

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</message>

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<source>&Remove this plugin</source>

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</message>

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</message>

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</context>

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<name>EnvelopeAndLfoParameters</name>

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<source>Predelay</source>

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</message>

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<source>Attack</source>

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</message>

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</message>

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<source>Decay</source>

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</message>

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<source>Sustain</source>

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</message>

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<source>Release</source>

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</message>

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<source>Modulation</source>

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</message>

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<source>LFO Predelay</source>

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</message>

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<source>LFO Attack</source>

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</message>

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<source>LFO speed</source>

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</message>

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<source>LFO Modulation</source>

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</message>

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<source>LFO Wave Shape</source>

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</message>

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</message>

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<source>Modulate Env-Amount</source>

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</message>

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</context>

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<name>EnvelopeAndLfoView</name>

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<translation type="unfinished">APAGAR</translation>

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</message>

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<source>Predelay:</source>

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<translation type="unfinished">Pré-atraso:</translation>

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</message>

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<source>Use this knob for setting predelay of the current envelope. The bigger this value the longer the time before start of actual envelope.</source>

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<translation type="unfinished">Use este botão para ajustar o pré-atraso do envelope atual. Quanto maior este valor, mais longo o tempo antes de iniciar o envelope atual.</translation>

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</message>

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</message>

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<source>Attack:</source>

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<translation type="unfinished">Ataque:</translation>

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</message>

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<source>Use this knob for setting attack-time of the current envelope. The bigger this value the longer the envelope needs to increase to attack-level. Choose a small value for instruments like pianos and a big value for strings.</source>

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<translation type="unfinished">Use este botão para ajustar o tempo de ataque do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisará para aumentar o nível de ataque.</translation>

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</message>

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<translation type="unfinished">ESPERA</translation>

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</message>

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<translation type="unfinished">Espera:</translation>

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</message>

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<source>Use this knob for setting hold-time of the current envelope. The bigger this value the longer the envelope holds attack-level before it begins to decrease to sustain-level.</source>

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<translation type="unfinished">Use este botão para ajustar o tempo de espera do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope segura o nível de ataque antes de diminuir para o nível sustentável.</translation>

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</message>

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</message>

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<source>Decay:</source>

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<translation type="unfinished">Deterioração:</translation>

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</message>

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<source>Use this knob for setting decay-time of the current envelope. The bigger this value the longer the envelope needs to decrease from attack-level to sustain-level. Choose a small value for instruments like pianos.</source>

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<translation type="unfinished">Use este botão para ajustar o tempo de deterioração do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de ataque para o nível sustentável. Escolha um valor pequeno para instrumentos como piano.</translation>

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</message>

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</message>

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<source>Sustain:</source>

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<translation type="unfinished">Sustentação:</translation>

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</message>

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<source>Use this knob for setting sustain-level of the current envelope. The bigger this value the higher the level on which the envelope stays before going down to zero.</source>

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<translation type="unfinished">Use este botão para ajustar o nível de sustentação do envelope atual. Quanto maior este valor, maio será o nível que o envelope espera antes de ir para zero.</translation>

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</message>

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</message>

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<source>Release:</source>

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<translation type="unfinished">Libera:</translation>

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</message>

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<source>Use this knob for setting release-time of the current envelope. The bigger this value the longer the envelope needs to decrease from sustain-level to zero. Choose a big value for soft instruments like strings.</source>

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<translation type="unfinished">Use este botão para ajustar o tempo de liberação do envelope atual. Quanto maior este valor, mais longo o tempo que o envelope precisa para diminuir do nível de sustentação para zero. Escolha um valor grande para instrumentos com cordas.</translation>

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</message>

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</message>

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<source>Modulation amount:</source>

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<translation type="unfinished">Quantidade de modulação:</translation>

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</message>

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<source>Use this knob for setting modulation amount of the current envelope. The bigger this value the more the according size (e.g. volume or cutoff-frequency) will be influenced by this envelope.</source>

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<translation type="unfinished">Use este botão para ajustar a quantidade de modulação do envelope atual. Quanto maior este valor, mais o tamanho do acorde (ex. volume ou frequência de corte) será influênciado pelo envelope.</translation>

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</message>

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<source>LFO predelay:</source>

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</message>

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<source>Use this knob for setting predelay-time of the current LFO. The bigger this value the the time until the LFO starts to oscillate.</source>

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<translation type="unfinished">Use este botão para ajustar o tempo de pré-atraso do LFO atual. Quanto maior este valor, maior o tempo ontes do LFO começar a oscilar.</translation>

802

</message>

803

804

<source>LFO- attack:</source>

805

806

</message>

807

808

<source>Use this knob for setting attack-time of the current LFO. The bigger this value the longer the LFO needs to increase its amplitude to maximum.</source>

809

<translation type="unfinished">Use este botão para ajustar o tempo de ataque do LFO atual. Quanto maior este valor, mais o tempo o LFO leva para atingir sua amplitude máxima.</translation>

810

</message>

811

812

813

814

</message>

815

816

<source>LFO speed:</source>

817

818

</message>

819

820

<source>Use this knob for setting speed of the current LFO. The bigger this value the faster the LFO oscillates and the faster will be your effect.</source>

821

<translation type="unfinished">Use este botão para ajustar a velocidade do LFO atual. Quanto maior este valor, mais rapidamente o LFO oscila e mais rápido será seu efeito.</translation>

822

</message>

823

824

<source>Use this knob for setting modulation amount of the current LFO. The bigger this value the more the selected size (e.g. volume or cutoff-frequency) will be influenced by this LFO.</source>

825

<translation type="unfinished">Use este botão para ajustar a quantidade de modulação do LFO atual. Quanto maior este valor, mais o tamanho (ex. volume ou frequência de corte) será influênciado pelo LFO.</translation>

826

</message>

827

828

<source>Click here for a sine-wave.</source>

829

830

</message>

831

832

<source>Click here for a triangle-wave.</source>

833

834

</message>

835

836

<source>Click here for a saw-wave for current.</source>

837

838

</message>

839

840

<source>Click here for a square-wave.</source>

841

842

</message>

843

844

<source>Click here for a user-defined wave. Afterwards, drag an according sample-file onto the LFO graph.</source>

845

846

</message>

847

848

849

850

</message>

851

852

<source>Click here if the frequency of this LFO should be multiplied by 100.</source>

853

854

</message>

855

856

<source>multiply LFO-frequency by 100</source>

857

858

</message>

859

860

<source>MODULATE ENV-AMOUNT</source>

861

<translation type="unfinished">MODULAR QUANTIDADE-ENV</translation>

862

</message>

863

864

<source>Click here to make the envelope-amount controlled by this LFO.</source>

865

<translation type="unfinished">Clique aqui para que a quantidade do envelope seja controlada por este LFO.</translation>

866

</message>

867

868

<source>control envelope-amount by this LFO</source>

869

<translation type="unfinished">controla a quantidade do envelope por este LFO</translation>

870

</message>

871

872

873

874

</message>

875

876

877

878

</message>

879

880

<source>Drag a sample from somewhere and drop it in this window.</source>

881

882

</message>

883

</context>

884

885

<name>ExportProjectDialog</name>

886

887

<source>Export project</source>

888

889

</message>

890

891

<source>Output</source>

892

893

</message>

894

895

<source>File format:</source>

896

897

</message>

898

899

<source>Samplerate:</source>

900

901

</message>

902

903

904

905

</message>

906

907

908

909

</message>

910

911

912

913

</message>

914

915

916

917

</message>

918

919

920

921

</message>

922

923

<source>Bitrate:</source>

924

925

</message>

926

927

928

929

</message>

930

931

932

933

</message>

934

935

936

937

</message>

938

939

940

941

</message>

942

943

944

945

</message>

946

947

948

949

</message>

950

951

<source>Depth:</source>

952

953

</message>

954

955

<source>16 Bit Integer</source>

956

957

</message>

958

959

<source>32 Bit Float</source>

960

961

</message>

962

963

<source>Please note that not all of the parameters above apply for all file formats.</source>

964

965

</message>

966

967

<source>Quality settings</source>

968

969

</message>

970

971

<source>Interpolation:</source>

972

973

</message>

974

975

<source>Zero Order Hold</source>

976

977

</message>

978

979

<source>Sinc Fastest</source>

980

981

</message>

982

983

<source>Sinc Medium (recommended)</source>

984

985

</message>

986

987

988

989

</message>

990

991

<source>Oversampling (use with care!):</source>

992

993

</message>

994

995

996

997

</message>

998

999

1000

1001

</message>

1002

1003

1004

1005

</message>

1006

1007

1008

1009

</message>

1010

1011

<source>Sample-exact controllers</source>

1012

1013

</message>

1014

1015

<source>Alias-free oscillators</source>

1016

1017

</message>

1018

1019

<source>Start</source>

1020

1021

</message>

1022

1023

<source>Cancel</source>

1024

<translation type="unfinished">Cancelar</translation>

1025

</message>

1026

1027

<source>Export as loop (remove end silence)</source>

1028

1029

</message>

1030

</context>

1031

1032

<name>FxMixer</name>

1033

1034

<source>Master</source>

1035

1036

</message>

1037

1038

1039

1040

</message>

1041

</context>

1042

1043

<name>FxMixerView</name>

1044

1045

<source>Rename FX channel</source>

1046

1047

</message>

1048

1049

<source>Enter the new name for this FX channel</source>

1050

1051

</message>

1052

1053

<source>FX-Mixer</source>

1054

1055

</message>

1056

1057

<source>FX Fader %1</source>

1058

1059

</message>

1060

1061

1062

1063

</message>

1064

1065

<source>Mute this FX channel</source>

1066

1067

</message>

1068

</context>

1069

1070

<name>InstrumentFunctionArpeggio</name>

1071

1072

<source>Arpeggio</source>

1073

1074

</message>

1075

1076

<source>Arpeggio type</source>

1077

1078

</message>

1079

1080

<source>Arpeggio range</source>

1081

<translation type="unfinished">Escala de harpeio</translation>

1082

</message>

1083

1084

<source>Arpeggio time</source>

1085

<translation type="unfinished">Tempo de harpeio</translation>

1086

</message>

1087

1088

<source>Arpeggio gate</source>

1089

<translation type="unfinished">Portal de harpeio</translation>

1090

</message>

1091

1092

<source>Arpeggio direction</source>

1093

1094

</message>

1095

1096

<source>Arpeggio mode</source>

1097

1098

</message>

1099

1100

1101

1102

</message>

1103

1104

1105

1106

</message>

1107

1108

1109

1110

</message>

1111

1112

<source>Random</source>

1113

1114

</message>

1115

1116

1117

1118

</message>

1119

1120

1121

1122

</message>

1123

1124

1125

1126

</message>

1127

</context>

1128

1129

<name>InstrumentFunctionArpeggioView</name>

1130

1131

<source>ARPEGGIO</source>

1132

<translation type="unfinished">HARPEIO</translation>

1133

</message>

1134

1135

<source>An arpeggio is a method playing (especially plucked) instruments, which makes the music much livelier. The strings of such instruments (e.g. harps) are plucked like chords. The only difference is that this is done in a sequential order, so the notes are not played at the same time. Typical arpeggios are major or minor triads, but there are a lot of other possible chords, you can select.</source>

1136

1137

</message>

1138

1139

<source>RANGE</source>

1140

<translation type="unfinished">ESCALA</translation>

1141

</message>

1142

1143

<source>Arpeggio range:</source>

1144

<translation type="unfinished">Escala de harpeio:</translation>

1145

</message>

1146

1147

<source>octave(s)</source>

1148

<translation type="unfinished">oitava(s)</translation>

1149

</message>

1150

1151

<source>Use this knob for setting the arpeggio range in octaves. The selected arpeggio will be played within specified number of octaves.</source>

1152

1153

</message>

1154

1155

1156

<translation type="unfinished">TEMPO</translation>

1157

</message>

1158

1159

<source>Arpeggio time:</source>

1160

<translation type="unfinished">Tempo de harpeio:</translation>

1161

</message>

1162

1163

1164

1165

</message>

1166

1167

<source>Use this knob for setting the arpeggio time in milliseconds. The arpeggio time specifies how long each arpeggio-tone should be played.</source>

1168

<translation type="unfinished">Use este botão para ajustar o tempo de harpeio em milesegundos. O tempo de harpeio especifica qual longo cada ton de herpeio será.</translation>

1169

</message>

1170

1171

1172

<translation type="unfinished">PORTAL</translation>

1173

</message>

1174

1175

<source>Arpeggio gate:</source>

1176

<translation type="unfinished">Portal de harpeio:</translation>

1177

</message>

1178

1179

1180

1181

</message>

1182

1183

<source>Use this knob for setting the arpeggio gate. The arpeggio gate specifies the percent of a whole arpeggio-tone that should be played. With this you can make cool staccato arpeggios.</source>

1184

1185

</message>

1186

1187

<source>Chord:</source>

1188

1189

</message>

1190

1191

<source>Direction:</source>

1192

1193

</message>

1194

1195

1196

1197

</message>

1198

</context>

1199

1200

<name>InstrumentFunctionNoteStacking</name>

1201

1202

<source>octave</source>

1203

<translation type="unfinished">oitava</translation>

1204

</message>

1205

1206

<source>Major</source>

1207

<translation type="unfinished">Maior</translation>

1208

</message>

1209

1210

1211

1212

</message>

1213

1214

<source>minor</source>

1215

<translation type="unfinished">menor</translation>

1216

</message>

1217

1218

1219

1220

</message>

1221

1222

1223

1224

</message>

1225

1226

1227

1228

</message>

1229

1230

1231

1232

</message>

1233

1234

<source>augsus4</source>

1235

1236

</message>

1237

1238

1239

1240

</message>

1241

1242

1243

1244

</message>

1245

1246

1247

1248

</message>

1249

1250

1251

1252

</message>

1253

1254

1255

1256

</message>

1257

1258

1259

1260

</message>

1261

1262

1263

1264

</message>

1265

1266

1267

1268

</message>

1269

1270

1271

1272

</message>

1273

1274

1275

1276

</message>

1277

1278

1279

1280

</message>

1281

1282

1283

1284

</message>

1285

1286

1287

1288

</message>

1289

1290

1291

1292

</message>

1293

1294

1295

1296

</message>

1297

1298

1299

1300

</message>

1301

1302

1303

1304

</message>

1305

1306

1307

1308

</message>

1309

1310

1311

1312

</message>

1313

1314

1315

1316

</message>

1317

1318

1319

1320

</message>

1321

1322

1323

1324

</message>

1325

1326

1327

1328

</message>

1329

1330

1331

1332

</message>

1333

1334

1335

1336

</message>

1337

1338

1339

1340

</message>

1341

1342

1343

1344

</message>

1345

1346

1347

1348

</message>

1349

1350

1351

1352

</message>

1353

1354

1355

1356

</message>

1357

1358

1359

1360

</message>

1361

1362

1363

1364

</message>

1365

1366

1367

1368

</message>

1369

1370

1371

1372

</message>

1373

1374

1375

1376

</message>

1377

1378

1379

1380

</message>

1381

1382

1383

1384

</message>

1385

1386

1387

1388

</message>

1389

1390

1391

1392

</message>

1393

1394

1395

1396

</message>

1397

1398

1399

1400

</message>

1401

1402

1403

1404

</message>

1405

1406

1407

1408

</message>

1409

1410

1411

1412

</message>

1413

1414

1415

1416

</message>

1417

1418

1419

1420

</message>

1421

1422

1423

1424

</message>

1425

1426

1427

1428

</message>

1429

1430

1431

1432

</message>

1433

1434

1435

1436

</message>

1437

1438

1439

1440

</message>

1441

1442

1443

1444

</message>

1445

1446

1447

1448

</message>

1449

1450

1451

1452

</message>

1453

1454

1455

1456

</message>

1457

1458

1459

1460

</message>

1461

1462

1463

1464

</message>

1465

1466

1467

1468

</message>

1469

1470

<source>Harmonic minor</source>

1471

<translation type="unfinished">Harmonico menor</translation>

1472

</message>

1473

1474

<source>Melodic minor</source>

1475

<translation type="unfinished">Melódico menor</translation>

1476

</message>

1477

1478

<source>Whole tone</source>

1479

1480

</message>

1481

1482

<source>Diminished</source>

1483

<translation type="unfinished">Diminuído</translation>

1484

</message>

1485

1486

<source>Major pentatonic</source>

1487

<translation type="unfinished">Pentatônico maior</translation>

1488

</message>

1489

1490

<source>Minor pentatonic</source>

1491

<translation type="unfinished">Pentatônico menor</translation>

1492

</message>

1493

1494

1495

1496

</message>

1497

1498

<source>Major bebop</source>

1499

<translation type="unfinished">Bebop maior</translation>

1500

</message>

1501

1502

<source>Dominant bebop</source>

1503

<translation type="unfinished">Bebop dominante</translation>

1504

</message>

1505

1506

<source>Blues</source>

1507

<translation type="unfinished">Blues</translation>

1508

</message>

1509

1510

<source>Arabic</source>

1511

<translation type="unfinished">Arábico</translation>

1512

</message>

1513

1514

<source>Enigmatic</source>

1515

<translation type="unfinished">Enigmático</translation>

1516

</message>

1517

1518

<source>Neopolitan</source>

1519

<translation type="unfinished">Napolitano</translation>

1520

</message>

1521

1522

<source>Neopolitan minor</source>

1523

<translation type="unfinished">Neopolitano menor</translation>

1524

</message>

1525

1526

<source>Hungarian minor</source>

1527

<translation type="unfinished">Húngaro menor</translation>

1528

</message>

1529

1530

<source>Dorian</source>

1531

<translation type="unfinished">Dórico</translation>

1532

</message>

1533

1534

<source>Phrygolydian</source>

1535

1536

</message>

1537

1538

<source>Lydian</source>

1539

1540

</message>

1541

1542

<source>Mixolydian</source>

1543

1544

</message>

1545

1546

<source>Aeolian</source>

1547

1548

</message>

1549

1550

<source>Locrian</source>

1551

1552

</message>

1553

1554

<source>Chords</source>

1555

1556

</message>

1557

1558

<source>Chord type</source>

1559

1560

</message>

1561

1562

<source>Chord range</source>

1563

<translation type="unfinished">Escala de acordes</translation>

1564

</message>

1565

1566

<source>Minor</source>

1567

1568

</message>

1569

</context>

1570

1571

<name>InstrumentFunctionNoteStackingView</name>

1572

1573

<source>RANGE</source>

1574

<translation type="unfinished">ESCALA</translation>

1575

</message>

1576

1577

<source>Chord range:</source>

1578

<translation type="unfinished">Escala de acordes:</translation>

1579

</message>

1580

1581

<source>octave(s)</source>

1582

<translation type="unfinished">oitava(s)</translation>

1583

</message>

1584

1585

<source>Use this knob for setting the chord range in octaves. The selected chord will be played within specified number of octaves.</source>

1586

1587

</message>

1588

1589

<source>STACKING</source>

1590

1591

</message>

1592

1593

<source>Chord:</source>

1594

1595

</message>

1596

</context>

1597

1598

<name>InstrumentMidiIOView</name>

1599

1600

<source>ENABLE MIDI INPUT</source>

1601

1602

</message>

1603

1604

<source>CHANNEL</source>

1605

<translation type="unfinished">CANAL</translation>

1606

</message>

1607

1608

<source>VELOCITY</source>

1609

1610

</message>

1611

1612

<source>ENABLE MIDI OUTPUT</source>

1613

1614

</message>

1615

1616

<source>PROGRAM</source>

1617

1618

</message>

1619

1620

<source>MIDI devices to receive MIDI events from</source>

1621

1622

</message>

1623

1624

<source>MIDI devices to send MIDI events to</source>

1625

1626

</message>

1627

1628

1629

1630

</message>

1631

</context>

1632

1633

<name>InstrumentSoundShaping</name>

1634

1635

<source>VOLUME</source>

1636

1637

</message>

1638

1639

<source>Volume</source>

1640

1641

</message>

1642

1643

<source>CUTOFF</source>

1644

<translation type="unfinished">INTERRUPÇÃO</translation>

1645

</message>

1646

1647

<source>Cutoff frequency</source>

1648

1649

</message>

1650

1651

1652

1653

</message>

1654

1655

<source>Resonance</source>

1656

1657

</message>

1658

1659

<source>Envelopes/LFOs</source>

1660

1661

</message>

1662

1663

<source>Filter type</source>

1664

1665

</message>

1666

1667

<source>Q/Resonance</source>

1668

<translation type="unfinished">Q/Resonância</translation>

1669

</message>

1670

1671

<source>LowPass</source>

1672

<translation type="unfinished">Passagem Baixa</translation>

1673

</message>

1674

1675

<source>HiPass</source>

1676

<translation type="unfinished">Passagem Alta</translation>

1677

</message>

1678

1679

<source>BandPass csg</source>

1680

<translation type="unfinished">Passagem da Faixa csg</translation>

1681

</message>

1682

1683

<source>BandPass czpg</source>

1684

<translation type="unfinished">Passagem da Faixa czpg</translation>

1685

</message>

1686

1687

<source>Notch</source>

1688

<translation type="unfinished">Entalhe</translation>

1689

</message>

1690

1691

<source>Allpass</source>

1692

<translation type="unfinished">Passagem Total</translation>

1693

</message>

1694

1695

1696

1697

</message>

1698

1699

<source>2x LowPass</source>

1700

<translation type="unfinished">2x Passagem Baixa</translation>

1701

</message>

1702

1703

<source>RC LowPass 12dB</source>

1704

1705

</message>

1706

1707

<source>RC BandPass 12dB</source>

1708

1709

</message>

1710

1711

<source>RC HighPass 12dB</source>

1712

1713

</message>

1714

1715

<source>RC LowPass 24dB</source>

1716

1717

</message>

1718

1719

<source>RC BandPass 24dB</source>

1720

1721

</message>

1722

1723

<source>RC HighPass 24dB</source>

1724

1725

</message>

1726

1727

<source>Vocal Formant Filter</source>

1728

1729

</message>

1730

</context>

1731

1732

<name>InstrumentSoundShapingView</name>

1733

1734

<source>TARGET</source>

1735

1736

</message>

1737

1738

<source>These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...!</source>

1739

1740

</message>

1741

1742

<source>FILTER</source>

1743

<translation type="unfinished">FILTRO</translation>

1744

</message>

1745

1746

<source>Here you can select the built-in filter you want to use for this instrument-track. Filters are very important for changing the characteristics of a sound.</source>

1747

1748

</message>

1749

1750

1751

1752

</message>

1753

1754

<source>Use this knob for setting the cutoff frequency for the selected filter. The cutoff frequency specifies the frequency for cutting the signal by a filter. For example a lowpass-filter cuts all frequencies above the cutoff frequency. A highpass-filter cuts all frequencies below cutoff frequency, and so on...</source>

1755

1756

</message>

1757

1758

1759

1760

</message>

1761

1762

<source>Resonance:</source>

1763

1764

</message>

1765

1766

<source>Use this knob for setting Q/Resonance for the selected filter. Q/Resonance tells the filter how much it should amplify frequencies near Cutoff-frequency.</source>

1767

1768

</message>

1769

1770

1771

1772

</message>

1773

1774

<source>cutoff frequency:</source>

1775

1776

</message>

1777

</context>

1778

1779

<name>InstrumentTrack</name>

1780

1781

<source>unnamed_track</source>

1782

1783

</message>

1784

1785

<source>Volume</source>

1786

1787

</message>

1788

1789

<source>Panning</source>

1790

1791

</message>

1792

1793

<source>Pitch</source>

1794

1795

</message>

1796

1797

<source>FX channel</source>

1798

1799

</message>

1800

1801

<source>Default preset</source>

1802

1803

</message>

1804

1805

<source>With this knob you can set the volume of the opened channel.</source>

1806

<translation type="unfinished">Com este botão você pode ajustar o volume do canal aberto.</translation>

1807

</message>

1808

1809

1810

1811

</message>

1812

1813

<source>Pitch range</source>

1814

1815

</message>

1816

</context>

1817

1818

<name>InstrumentTrackView</name>

1819

1820

<source>Volume</source>

1821

1822

</message>

1823

1824

<source>Volume:</source>

1825

1826

</message>

1827

1828

1829

1830

</message>

1831

1832

<source>Panning</source>

1833

1834

</message>

1835

1836

<source>Panning:</source>

1837

1838

</message>

1839

1840

1841

1842

</message>

1843

1844

1845

1846

</message>

1847

1848

<source>Input</source>

1849

1850

</message>

1851

1852

<source>Output</source>

1853

1854

</message>

1855

</context>

1856

1857

<name>InstrumentTrackWindow</name>

1858

1859

<source>GENERAL SETTINGS</source>

1860

<translation type="unfinished">AJUSTES GERAIS</translation>

1861

</message>

1862

1863

<source>Click here, if you want to save current channel settings in a preset-file. Later you can load this preset by double-clicking it in the preset-browser.</source>

1864

<translation type="unfinished">Clique aqui se você quer salvar os ajustes do canal atual em um preset-file. Depois você pode carregar estes ajustes dando um duplo clique nele no navegador de pré-ajustes.</translation>

1865

</message>

1866

1867

<source>Instrument volume</source>

1868

1869

</message>

1870

1871

<source>Volume:</source>

1872

1873

</message>

1874

1875

1876

1877

</message>

1878

1879

<source>Panning</source>

1880

1881

</message>

1882

1883

<source>Panning:</source>

1884

1885

</message>

1886

1887

1888

1889

</message>

1890

1891

<source>Pitch</source>

1892

1893

</message>

1894

1895

<source>Pitch:</source>

1896

1897

</message>

1898

1899

<source>cents</source>

1900

<translation type="unfinished">centavos</translation>

1901

</message>

1902

1903

<source>PITCH</source>

1904

1905

</message>

1906

1907

<source>FX channel</source>

1908

1909

</message>

1910

1911

1912

1913

</message>

1914

1915

1916

1917

</message>

1918

1919

1920

1921

</message>

1922

1923

1924

1925

</message>

1926

1927

<source>Save preset</source>

1928

1929

</message>

1930

1931

<source>XML preset file (*.xpf)</source>

1932

1933

</message>

1934

1935

<source>PLUGIN</source>

1936

1937

</message>

1938

1939

<source>Save current channel settings in a preset-file</source>

1940

1941

</message>

1942

1943

<source>Pitch range (semitones)</source>

1944

1945

</message>

1946

1947

<source>RANGE</source>

1948

<translation type="unfinished">ESCALA</translation>

1949

</message>

1950

</context>

1951

1952

<name>LadspaControl</name>

1953

1954

<source>Link channels</source>

1955

1956

</message>

1957

</context>

1958

1959

<name>LadspaControlDialog</name>

1960

1961

<source>Link Channels</source>

1962

1963

</message>

1964

1965

<source>Channel </source>

1966

1967

</message>

1968

</context>

1969

1970

<name>LadspaControlView</name>

1971

1972

<source>Link channels</source>

1973

1974

</message>

1975

1976

<source>Value:</source>

1977

1978

</message>

1979

1980

<source>Sorry, no help available.</source>

1981

1982

</message>

1983

</context>

1984

1985

<name>LadspaEffect</name>

1986

1987

<source>Effect</source>

1988

1989

</message>

1990

1991

<source>Unknown LADSPA plugin %1 requested.</source>

1992

1993

</message>

1994

</context>

1995

1996

<name>LfoController</name>

1997

1998

<source>LFO Controller</source>

1999

2000

</message>

2001

2002

<source>Base value</source>

2003

2004

</message>

2005

2006

<source>Oscillator speed</source>

2007

2008

</message>

2009

2010

<source>Oscillator amount</source>

2011

2012

</message>

2013

2014

<source>Oscillator phase</source>

2015

2016

</message>

2017

2018

<source>Oscillator waveform</source>

2019

2020

</message>

2021

2022

<source>Frequency Multiplier</source>

2023

2024

</message>

2025

</context>

2026

2027

<name>LfoControllerDialog</name>

2028

2029

2030

2031

</message>

2032

2033

<source>LFO Controller</source>

2034

2035

</message>

2036

2037

2038

2039

</message>

2040

2041

<source>Base amount:</source>

2042

2043

</message>

2044

2045

2046

2047

</message>

2048

2049

2050

2051

</message>

2052

2053

<source>LFO-speed:</source>

2054

<translation type="unfinished">Velocidade do LFO:</translation>

2055

</message>

2056

2057

<source>Use this knob for setting speed of the LFO. The bigger this value the faster the LFO oscillates and the faster the effect.</source>

2058

2059

</message>

2060

2061

2062

2063

</message>

2064

2065

<source>Modulation amount:</source>

2066

<translation type="unfinished">Quantidade de modulação:</translation>

2067

</message>

2068

2069

<source>Use this knob for setting modulation amount of the LFO. The bigger this value, the more the connected control (e.g. volume or cutoff-frequency) will be influenced by the LFO.</source>

2070

2071

</message>

2072

2073

2074

2075

</message>

2076

2077

<source>Phase offset:</source>

2078

2079

</message>

2080

2081

<source>degrees</source>

2082

<translation type="unfinished">graus</translation>

2083

</message>

2084

2085

<source>With this knob you can set the phase offset of the LFO. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.</source>

2086

2087

</message>

2088

2089

<source>Click here for a sine-wave.</source>

2090

2091

</message>

2092

2093

<source>Click here for a triangle-wave.</source>

2094

2095

</message>

2096

2097

<source>Click here for a saw-wave.</source>

2098

2099

</message>

2100

2101

<source>Click here for a square-wave.</source>

2102

2103

</message>

2104

2105

<source>Click here for a a moog saw-wave.</source>

2106

2107

</message>

2108

2109

<source>Click here for an exponential wave.</source>

2110

2111

</message>

2112

2113

<source>Click here for white-noise.</source>

2114

2115

</message>

2116

2117

<source>Click here for a user-defined shape.

2118

Double click to pick a file.</source>

2119

2120

</message>

2121

</context>

2122

2123

<name>MainWindow</name>

2124

2125

<source>Working directory</source>

2126

2127

</message>

2128

2129

<source>The LMMS working directory %1 does not exist. Create it now? You can change the directory later via Edit -> Settings.</source>

2130

2131

</message>

2132

2133

<source>Could not save config-file</source>

2134

<translation type="unfinished">O arquivo de configuração não pode ser salvo</translation>

2135

</message>

2136

2137

<source>Could not save configuration file %1. You're probably not permitted to write to this file.

2138

Please make sure you have write-access to the file and try again.</source>

2139

2140

</message>

2141

2142

<source>&Project</source>

2143

<translation type="unfinished">&Projeto</translation>

2144

</message>

2145

2146

2147

2148

</message>

2149

2150

2151

<translation type="unfinished">&Abrir...</translation>

2152

</message>

2153

2154

<source>Recently opened projects</source>

2155

2156

</message>

2157

2158

2159

<translation type="unfinished">&Salvar</translation>

2160

</message>

2161

2162

2163

<translation type="unfinished">Salvar &como...</translation>

2164

</message>

2165

2166

<source>Import...</source>

2167

2168

</message>

2169

2170

<source>E&xport...</source>

2171

2172

</message>

2173

2174

2175

2176

</message>

2177

2178

2179

2180

</message>

2181

2182

<source>Settings</source>

2183

2184

</message>

2185

2186

<source>&Tools</source>

2187

2188

</message>

2189

2190

2191

2192

</message>

2193

2194

<source>Online help</source>

2195

2196

</message>

2197

2198

2199

<translation type="unfinished">Ajuda</translation>

2200

</message>

2201

2202

2203

2204

</message>

2205

2206

<source>About</source>

2207

<translation type="unfinished">Sobre</translation>

2208

</message>

2209

2210

<source>Create new project</source>

2211

<translation type="unfinished">Criar novo projeto</translation>

2212

</message>

2213

2214

<source>Create new project from template</source>

2215

2216

</message>

2217

2218

<source>Open existing project</source>

2219

<translation type="unfinished">Abrir projeto existente</translation>

2220

</message>

2221

2222

<source>Recently opened project</source>

2223

2224

</message>

2225

2226

<source>Save current project</source>

2227

<translation type="unfinished">Salvar projeto atual</translation>

2228

</message>

2229

2230

<source>Export current project</source>

2231

<translation type="unfinished">Exportar projeto atual</translation>

2232

</message>

2233

2234

<source>Show/hide Song-Editor</source>

2235

<translation type="unfinished">Mostrar/esconder Editor de música</translation>

2236

</message>

2237

2238

<source>By pressing this button, you can show or hide the Song-Editor. With the help of the Song-Editor you can edit song-playlist and specify when which track should be played. You can also insert and move samples (e.g. rap samples) directly into the playlist.</source>

2239

2240

</message>

2241

2242

<source>Show/hide Beat+Bassline Editor</source>

2243

<translation type="unfinished">Mostrar/esconder Editor de Batida+Baixo</translation>

2244

</message>

2245

2246

<source>By pressing this button, you can show or hide the Beat+Bassline Editor. The Beat+Bassline Editor is needed for creating beats, and for opening, adding, and removing channels, and for cutting, copying and pasting beat and bassline-patterns, and for other things like that.</source>

2247

2248

</message>

2249

2250

<source>Show/hide Piano-Roll</source>

2251

<translation type="unfinished">Mostrar/esconder Teclas do piano</translation>

2252

</message>

2253

2254

<source>Click here to show or hide the Piano-Roll. With the help of the Piano-Roll you can edit melodies in an easy way.</source>

2255

2256

</message>

2257

2258

<source>Show/hide Automation Editor</source>

2259

2260

</message>

2261

2262

<source>Click here to show or hide the Automation Editor. With the help of the Automation Editor you can edit dynamic values in an easy way.</source>

2263

2264

</message>

2265

2266

<source>Show/hide FX Mixer</source>

2267

2268

</message>

2269

2270

<source>Click here to show or hide the FX Mixer. The FX Mixer is a very powerful tool for managing effects for your song. You can insert effects into different effect-channels.</source>

2271

2272

</message>

2273

2274

<source>Show/hide project notes</source>

2275

<translation type="unfinished">Mostrar/esconder notas do projeto</translation>

2276

</message>

2277

2278

<source>Click here to show or hide the project notes window. In this window you can put down your project notes.</source>

2279

2280

</message>

2281

2282

<source>Show/hide controller rack</source>

2283

2284

</message>

2285

2286

<source>Untitled</source>

2287

2288

</message>

2289

2290

2291

2292

</message>

2293

2294

<source>Project not saved</source>

2295

<translation type="unfinished">Projeto não salvo</translation>

2296

</message>

2297

2298

<source>The current project was modified since last saving. Do you want to save it now?</source>

2299

<translation type="unfinished">O projeto atual foi modificado. Quer salvá-lo agora?</translation>

2300

</message>

2301

2302

<source>Open project</source>

2303

<translation type="unfinished">Abrir projeto</translation>

2304

</message>

2305

2306

<source>Save project</source>

2307

<translation type="unfinished">Salvar projeto</translation>

2308

</message>

2309

2310

<source>Help not available</source>

2311

<translation type="unfinished">Ajuda não disponível</translation>

2312

</message>

2313

2314

<source>Currently there's no help available in LMMS.

2315

Please visit http://lmms.sf.net/wiki for documentation on LMMS.</source>

2316

2317

</message>

2318

2319

<source>My projects</source>

2320

2321

</message>

2322

2323

<source>My samples</source>

2324

2325

</message>

2326

2327

<source>My presets</source>

2328

2329

</message>

2330

2331

2332

2333

</message>

2334

2335

<source>My computer</source>

2336

2337

</message>

2338

2339

<source>Root directory</source>

2340

2341

</message>

2342

2343

<source>Save as new &version</source>

2344

2345

</message>

2346

2347

<source>E&xport tracks...</source>

2348

2349

</message>

2350

2351

2352

2353

</message>

2354

2355

<source>LMMS Project (*.mmp *.mmpz);;LMMS Project Template (*.mpt)</source>

2356

2357

</message>

2358

2359

<source>Version %1</source>

2360

2361

</message>

2362

2363

<source>Project recovery</source>

2364

2365

</message>

2366

2367

<source>It looks like the last session did not end properly. Do you want to recover the project of this session?</source>

2368

2369

</message>

2370

2371

<source>Configuration file</source>

2372

2373

</message>

2374

2375

<source>Error while parsing configuration file at line %1:%2: %3</source>

2376

2377

</message>

2378

</context>

2379

2380

<name>MeterDialog</name>

2381

2382

<source>Meter Numerator</source>

2383

2384

</message>

2385

2386

<source>Meter Denominator</source>

2387

2388

</message>

2389

2390

2391

2392

</message>

2393

</context>

2394

2395

<name>MeterModel</name>

2396

2397

<source>Numerator</source>

2398

2399

</message>

2400

2401

<source>Denominator</source>

2402

2403

</message>

2404

</context>

2405

2406

<name>MidiAlsaRaw::setupWidget</name>

2407

2408

<source>DEVICE</source>

2409

<translation type="unfinished">DISPOSITIVO</translation>

2410

</message>

2411

</context>

2412

2413

<name>MidiAlsaSeq::setupWidget</name>

2414

2415

<source>DEVICE</source>

2416

<translation type="unfinished">DISPOSITIVO</translation>

2417

</message>

2418

</context>

2419

2420

<name>MidiController</name>

2421

2422

<source>MIDI Controller</source>

2423

2424

</message>

2425

2426

<source>unnamed_midi_controller</source>

2427

2428

</message>

2429

</context>

2430

2431

<name>MidiImport</name>

2432

2433

<source>Setup incomplete</source>

2434

2435

</message>

2436

2437

<source>You do not have set up a default soundfont in the settings dialog (Edit->Settings). Therefore no sound will be played back after importing this MIDI file. You should download a General MIDI soundfont, specify it in settings dialog and try again.</source>

2438

2439

</message>

2440

2441

<source>You did not compile LMMS with support for SoundFont2 player, which is used to add default sound to imported MIDI files. Therefore no sound will be played back after importing this MIDI file.</source>

2442

2443

</message>

2444

</context>

2445

2446

<name>MidiOss::setupWidget</name>

2447

2448

<source>DEVICE</source>

2449

<translation type="unfinished">DISPOSITIVO</translation>

2450

</message>

2451

</context>

2452

2453

<name>MidiPort</name>

2454

2455

<source>Input channel</source>

2456

2457

</message>

2458

2459

<source>Output channel</source>

2460

2461

</message>

2462

2463

<source>Input controller</source>

2464

2465

</message>

2466

2467

<source>Output controller</source>

2468

2469

</message>

2470

2471

<source>Fixed input velocity</source>

2472

2473

</message>

2474

2475

<source>Fixed output velocity</source>

2476

2477

</message>

2478

2479

<source>Output MIDI program</source>

2480

2481

</message>

2482

2483

<source>Receive MIDI-events</source>

2484

2485

</message>

2486

2487

<source>Send MIDI-events</source>

2488

2489

</message>

2490

2491

<source>Fixed output note</source>

2492

2493

</message>

2494

</context>

2495

2496

<name>OscillatorObject</name>

2497

2498

<source>Osc %1 volume</source>

2499

<translation type="unfinished">Volume Osc %1</translation>

2500

</message>

2501

2502

<source>Osc %1 panning</source>

2503

<translation type="unfinished">Panning Osc %1</translation>

2504

</message>

2505

2506

<source>Osc %1 coarse detuning</source>

2507

<translation type="unfinished">Detom grosseiro Osc %1</translation>

2508

</message>

2509

2510

<source>Osc %1 fine detuning left</source>

2511

<translation type="unfinished">Detom fino esquerdo Osc %1</translation>

2512

</message>

2513

2514

<source>Osc %1 fine detuning right</source>

2515

<translation type="unfinished">Detom fino direito %1</translation>

2516

</message>

2517

2518

<source>Osc %1 phase-offset</source>

2519

<translation type="unfinished">Compensador de fase Osc %1</translation>

2520

</message>

2521

2522

<source>Osc %1 stereo phase-detuning</source>

2523

<translation type="unfinished">Detom de fase estéreo Osc %1</translation>

2524

</message>

2525

2526

<source>Osc %1 wave shape</source>

2527

2528

</message>

2529

2530

<source>Modulation type %1</source>

2531

2532

</message>

2533

2534

<source>Osc %1 waveform</source>

2535

2536

</message>

2537

</context>

2538

2539

<name>PatmanView</name>

2540

2541

<source>Open other patch</source>

2542

2543

</message>

2544

2545

<source>Click here to open another patch-file. Loop and Tune settings are not reset.</source>

2546

2547

</message>

2548

2549

2550

2551

</message>

2552

2553

2554

2555

</message>

2556

2557

<source>Here you can toggle the Loop mode. If enabled, PatMan will use the loop information available in the file.</source>

2558

2559

</message>

2560

2561

2562

2563

</message>

2564

2565

2566

2567

</message>

2568

2569

<source>Here you can toggle the Tune mode. If enabled, PatMan will tune the sample to match the note's frequency.</source>

2570

2571

</message>

2572

2573

<source>No file selected</source>

2574

2575

</message>

2576

2577

<source>Open patch file</source>

2578

2579

</message>

2580

2581

<source>Patch-Files (*.pat)</source>

2582

2583

</message>

2584

</context>

2585

2586

<name>PeakController</name>

2587

2588

<source>Peak Controller</source>

2589

2590

</message>

2591

2592

<source>Peak Controller Bug</source>

2593

2594

</message>

2595

2596

<source>Due to a bug in older version of LMMS, the peak controllers may not be connect properly. Please ensure that peak controllers are connected properly and re-save this file. Sorry for any inconvenience caused.</source>

2597

2598

</message>

2599

</context>

2600

2601

<name>PeakControllerDialog</name>

2602

2603

2604

2605

</message>

2606

2607

<source>LFO Controller</source>

2608

2609

</message>

2610

</context>

2611

2612

<name>PeakControllerEffectControlDialog</name>

2613

2614

2615

2616

</message>

2617

2618

<source>Base amount:</source>

2619

2620

</message>

2621

2622

<source>Modulation amount:</source>

2623

<translation type="unfinished">Quantidade de modulação:</translation>

2624

</message>

2625

2626

<source>Attack:</source>

2627

<translation type="unfinished">Ataque:</translation>

2628

</message>

2629

2630

<source>Release:</source>

2631

<translation type="unfinished">Libera:</translation>

2632

</message>

2633

2634

2635

2636

</message>

2637

2638

2639

2640

</message>

2641

2642

<source>Amount Multiplicator:</source>

2643

2644

</message>

2645

2646

2647

2648

</message>

2649

2650

2651

2652

</message>

2653

</context>

2654

2655

<name>PeakControllerEffectControls</name>

2656

2657

<source>Base value</source>

2658

2659

</message>

2660

2661

<source>Modulation amount</source>

2662

<translation type="unfinished">Quantidade de modulação</translation>

2663

</message>

2664

2665

<source>Mute output</source>

2666

2667

</message>

2668

2669

<source>Attack</source>

2670

2671

</message>

2672

2673

<source>Release</source>

2674

2675

</message>

2676

2677

<source>Abs Value</source>

2678

2679

</message>

2680

2681

<source>Amount Multiplicator</source>

2682

2683

</message>

2684

</context>

2685

2686

<name>PianoView</name>

2687

2688

2689

2690

</message>

2691

</context>

2692

2693

<name>Plugin</name>

2694

2695

<source>Plugin not found</source>

2696

<translation type="unfinished">Plugin não encontrado</translation>

2697

</message>

2698

2699

<source>The plugin "%1" wasn't found or could not be loaded!

2700

Reason: "%2"</source>

2701

2702

</message>

2703

2704

<source>Error while loading plugin</source>

2705

<translation type="unfinished">Erro ao carregar plugin</translation>

2706

</message>

2707

2708

<source>Failed to load plugin "%1"!</source>

2709

2710

</message>

2711

</context>

2712

2713

<name>ProjectRenderer</name>

2714

2715

2716

2717

</message>

2718

2719

<source>Compressed OGG-File (*.ogg)</source>

2720

<translation type="unfinished">Arquivo OGG compactado (*.ogg)</translation>

2721

</message>

2722

</context>

2723

2724

<name>QObject</name>

2725

2726

2727

2728

2729

</message>

2730

2731

2732

2733

2734

</message>

2735

2736

2737

2738

2739

</message>

2740

2741

2742

2743

2744

</message>

2745

2746

2747

2748

2749

</message>

2750

2751

2752

2753

2754

</message>

2755

2756

2757

2758

2759

</message>

2760

2761

2762

2763

2764

</message>

2765

2766

2767

2768

2769

</message>

2770

2771

2772

2773

2774

</message>

2775

2776

2777

2778

2779

</message>

2780

2781

2782

2783

2784

</message>

2785

2786

2787

2788

2789

</message>

2790

2791

2792

2793

2794

</message>

2795

2796

2797

2798

2799

</message>

2800

2801

2802

2803

2804

</message>

2805

2806

2807

2808

2809

</message>

2810

</context>

2811

2812

<name>QWidget</name>

2813

2814

2815

2816

</message>

2817

2818

<source>Maker: </source>

2819

2820

</message>

2821

2822

<source>Copyright: </source>

2823

2824

</message>

2825

2826

<source>Requires Real Time: </source>

2827

2828

</message>

2829

2830

2831

2832

</message>

2833

2834

2835

2836

</message>

2837

2838

<source>Real Time Capable: </source>

2839

2840

</message>

2841

2842

<source>In Place Broken: </source>

2843

2844

</message>

2845

2846

<source>Channels In: </source>

2847

2848

</message>

2849

2850

<source>Channels Out: </source>

2851

2852

</message>

2853

2854

2855

2856

</message>

2857

</context>

2858

2859

<name>SampleBuffer</name>

2860

2861

<source>Open audio file</source>

2862

<translation type="unfinished">Abrir arquivo de áudio</translation>

2863

</message>

2864

2865

<source>All Audio-Files (*.wav *.ogg *.ds *.flac *.spx *.voc *.aif *.aiff *.au *.raw *.mp3)</source>

2866

2867

</message>

2868

2869

<source>Wave-Files (*.wav)</source>

2870

<translation type="unfinished">Arquivos Wave (*.wav)</translation>

2871

</message>

2872

2873

<source>OGG-Files (*.ogg)</source>

2874

<translation type="unfinished">Arquivos OGG (*.ogg)</translation>

2875

</message>

2876

2877

<source>DrumSynth-Files (*.ds)</source>

2878

2879

</message>

2880

2881

<source>FLAC-Files (*.flac)</source>

2882

2883

</message>

2884

2885

<source>SPEEX-Files (*.spx)</source>

2886

2887

</message>

2888

2889

<source>MP3-Files (*.mp3)</source>

2890

2891

</message>

2892

2893

<source>VOC-Files (*.voc)</source>

2894

<translation type="unfinished">Arquivos VOC (*.voc)</translation>

2895

</message>

2896

2897

<source>AIFF-Files (*.aif *.aiff)</source>

2898

<translation type="unfinished">Arquivos AIFF (*.aif *.aiff)</translation>

2899

</message>

2900

2901

<source>AU-Files (*.au)</source>

2902

<translation type="unfinished">Arquivos AU (*.au)</translation>

2903

</message>

2904

2905

<source>RAW-Files (*.raw)</source>

2906

<translation type="unfinished">Arquivos RAW (*.raw)</translation>

2907

</message>

2908

</context>

2909

2910

<name>SampleTCOView</name>

2911

2912

<source>double-click to select sample</source>

2913

<translation type="unfinished">Duplo clique para selecionar amostra</translation>

2914

</message>

2915

2916

<source>Delete (middle mousebutton)</source>

2917

2918

</message>

2919

2920

2921

<translation type="unfinished">Recortar</translation>

2922

</message>

2923

2924

2925

<translation type="unfinished">Copiar</translation>

2926

</message>

2927

2928

<source>Paste</source>

2929

<translation type="unfinished">Colar</translation>

2930

</message>

2931

2932

<source>Mute/unmute (<Ctrl> + middle click)</source>

2933

2934

</message>

2935

2936

<source>Set/clear record</source>

2937

2938

</message>

2939

</context>

2940

2941

<name>SampleTrack</name>

2942

2943

<source>Sample track</source>

2944

<translation type="unfinished">Trilha de amostra</translation>

2945

</message>

2946

2947

<source>Volume</source>

2948

2949

</message>

2950

</context>

2951

2952

<name>SampleTrackView</name>

2953

2954

<source>Track volume</source>

2955

2956

</message>

2957

2958

<source>Channel volume:</source>

2959

<translation type="unfinished">Volume do canal:</translation>

2960

</message>

2961

2962

2963

2964

</message>

2965

</context>

2966

2967

<name>TempoSyncKnob</name>

2968

2969

<source>Tempo Sync</source>

2970

<translation type="unfinished">Sincronia</translation>

2971

</message>

2972

2973

2974

<translation type="unfinished">Sem Sincronia</translation>

2975

</message>

2976

2977

<source>Eight beats</source>

2978

<translation type="unfinished">Oito batidas</translation>

2979

</message>

2980

2981

<source>Whole note</source>

2982

<translation type="unfinished">Nota inteira</translation>

2983

</message>

2984

2985

2986

2987

</message>

2988

2989

<source>Quarter note</source>

2990

2991

</message>

2992

2993

2994

2995

</message>

2996

2997

2998

2999

</message>

3000

3001

3002

3003

</message>

3004

3005

<source>Custom...</source>

3006

3007

</message>

3008

3009

3010

3011

</message>

3012

3013

<source>Custom </source>

3014

3015

</message>

3016

3017

<source>Synced to Eight Beats</source>

3018

<translation type="unfinished">Sincronizado com Oito Batidas</translation>

3019

</message>

3020

3021

<source>Synced to Whole Note</source>

3022

<translation type="unfinished">Sincronizado com a Nota Inteira</translation>

3023

</message>

3024

3025

<source>Synced to Half Note</source>

3026

<translation type="unfinished">Sincronizado com Meia Nota</translation>

3027

</message>

3028

3029

<source>Synced to Quarter Note</source>

3030

<translation type="unfinished">Sincronizado com 1/4 de Nota</translation>

3031

</message>

3032

3033

<source>Synced to 8th Note</source>

3034

<translation type="unfinished">Sincronizado com a 8o Nota</translation>

3035

</message>

3036

3037

<source>Synced to 16th Note</source>

3038

<translation type="unfinished">Sincronizado com a 16o Nota</translation>

3039

</message>

3040

3041

<source>Synced to 32nd Note</source>

3042

<translation type="unfinished">Sincronizado com a 32o Nota</translation>

3043

</message>

3044

</context>

3045

3046

<name>TimeDisplayWidget</name>

3047

3048

<source>click to change time units</source>

3049

3050

</message>

3051

</context>

3052

3053

<name>TrackContainer</name>

3054

3055

<source>Couldn't import file</source>

3056

3057

</message>

3058

3059

<source>Couldn't find a filter for importing file %1.

3060

You should convert this file into a format supported by LMMS using another software.</source>

3061

3062

</message>

3063

3064

<source>Couldn't open file</source>

3065

3066

</message>

3067

3068

<source>Couldn't open file %1 for reading.

3069

Please make sure you have read-permission to the file and the directory containing the file and try again!</source>

3070

3071

</message>

3072

3073

<source>Loading project...</source>

3074

<translation type="unfinished">Carregando projeto...</translation>

3075

</message>

3076

3077

<source>Cancel</source>

3078

<translation type="unfinished">Cancelar</translation>

3079

</message>

3080

3081

<source>Please wait...</source>

3082

<translation type="unfinished">Por favor aquarde...</translation>

3083

</message>

3084

3085

<source>Importing MIDI-file...</source>

3086

<translation type="unfinished">Importando arquivo MIDI...</translation>

3087

</message>

3088

3089

<source>Importing FLP-file...</source>

3090

3091

</message>

3092

</context>

3093

3094

<name>TripleOscillatorView</name>

3095

3096

<source>Use phase modulation for modulating oscillator 2 with oscillator 1</source>

3097

3098

</message>

3099

3100

<source>Use amplitude modulation for modulating oscillator 2 with oscillator 1</source>

3101

3102

</message>

3103

3104

<source>Mix output of oscillator 1 & 2</source>

3105

3106

</message>

3107

3108

<source>Synchronize oscillator 1 with oscillator 2</source>

3109

3110

</message>

3111

3112

<source>Use frequency modulation for modulating oscillator 2 with oscillator 1</source>

3113

3114

</message>

3115

3116

<source>Use phase modulation for modulating oscillator 3 with oscillator 2</source>

3117

3118

</message>

3119

3120

<source>Use amplitude modulation for modulating oscillator 3 with oscillator 2</source>

3121

3122

</message>

3123

3124

<source>Mix output of oscillator 2 & 3</source>

3125

3126

</message>

3127

3128

<source>Synchronize oscillator 2 with oscillator 3</source>

3129

3130

</message>

3131

3132

<source>Use frequency modulation for modulating oscillator 3 with oscillator 2</source>

3133

3134

</message>

3135

3136

<source>Osc %1 volume:</source>

3137

<translation type="unfinished">Volume Osc %1:</translation>

3138

</message>

3139

3140

<source>With this knob you can set the volume of oscillator %1. When setting a value of 0 the oscillator is turned off. Otherwise you can hear the oscillator as loud as you set it here.</source>

3141

<translation type="unfinished">Com este botão você pode ajustar o volume do oscilador %1. Quando você seleciona o valor 0, o oscilador é desligado. Com outros valores você vai escutar o oscilador tão alto quanto você o ajustar.</translation>

3142

</message>

3143

3144

<source>Osc %1 panning:</source>

3145

<translation type="unfinished">Panning Osc %1:</translation>

3146

</message>

3147

3148

<source>With this knob you can set the panning of the oscillator %1. A value of -100 means 100% left and a value of 100 moves oscillator-output right.</source>

3149

<translation type="unfinished">Com este botão você pode ajustar o panning do oscilador %1. O valor -100 significa 100% à esquerda e 100 move a saida do oscilador para a direita.</translation>

3150

</message>

3151

3152

<source>Osc %1 coarse detuning:</source>

3153

<translation type="unfinished">Detom grosseiro Osc %1:</translation>

3154

</message>

3155

3156

<source>semitones</source>

3157

3158

</message>

3159

3160

<source>With this knob you can set the coarse detuning of oscillator %1. You can detune the oscillator 12 semitones (1 octave) up and down. This is useful for creating sounds with a chord.</source>

3161

<translation type="unfinished">Com este botão você pode ajustar o detom grosseiro do oscilador %1. Você pode descer o tom do oscilador 12 semitons (1 oitava) para cima e para baixo. Isto é útil para criar sons com um acorde.</translation>

3162

</message>

3163

3164

<source>Osc %1 fine detuning left:</source>

3165

<translation type="unfinished">Detom fino esquerdo Osc %1:</translation>

3166

</message>

3167

3168

<source>cents</source>

3169

<translation type="unfinished">centavos</translation>

3170

</message>

3171

3172

<source>With this knob you can set the fine detuning of oscillator %1 for the left channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.</source>

3173

<translation type="unfinished">Com este botão você pode ajustar o detom fino do oscilador %1 para o canal esquerdo. O detom fino varia entre -100 centavos e +100 centavos. Isto é útil para criar sons 'gordos'.</translation>

3174

</message>

3175

3176

<source>Osc %1 fine detuning right:</source>

3177

<translation type="unfinished">Detom fino direito %1:</translation>

3178

</message>

3179

3180

<source>With this knob you can set the fine detuning of oscillator %1 for the right channel. The fine-detuning is ranged between -100 cents and +100 cents. This is useful for creating "fat" sounds.</source>

3181

<translation type="unfinished">Com este botão você pode ajustar o detom fino do oscilador %1 para o canal direito. O detom fino varia entre -100 centavos e +100 centavos. Isto é útil para criar sons 'gordos'.</translation>

3182

</message>

3183

3184

<source>Osc %1 phase-offset:</source>

3185

<translation type="unfinished">Compensador de fase Osc %1:</translation>

3186

</message>

3187

3188

<source>degrees</source>

3189

<translation type="unfinished">graus</translation>

3190

</message>

3191

3192

<source>With this knob you can set the phase-offset of oscillator %1. That means you can move the point within an oscillation where the oscillator begins to oscillate. For example if you have a sine-wave and have a phase-offset of 180 degrees the wave will first go down. It's the same with a square-wave.</source>

3193

<translation type="unfinished">Com este botão você pode ajustar o compensador de fase do oscilador %1. Isso significa que você pode move o ponto de uma oscilação onde o oscilador começa à oscilar. Por exemplo, se você tem uma onda-seno e tem uma compensação de fase de 180 graus, a onda vai primeiro descer. É o mesmo com onda-quadrada.</translation>

3194

</message>

3195

3196

<source>Osc %1 stereo phase-detuning:</source>

3197

<translation type="unfinished">Detom de fase estéreo Osc %1:</translation>

3198

</message>

3199

3200

<source>With this knob you can set the stereo phase-detuning of oscillator %1. The stereo phase-detuning specifies the size of the difference between the phase-offset of left and right channel. This is very good for creating wide stereo sounds.</source>

3201

3202

</message>

3203

3204

<source>Use a sine-wave for current oscillator.</source>

3205

3206

</message>

3207

3208

<source>Use a triangle-wave for current oscillator.</source>

3209

3210

</message>

3211

3212

<source>Use a saw-wave for current oscillator.</source>

3213

3214

</message>

3215

3216

<source>Use a square-wave for current oscillator.</source>

3217

3218

</message>

3219

3220

<source>Use a moog-like saw-wave for current oscillator.</source>

3221

3222

</message>

3223

3224

<source>Use an exponential wave for current oscillator.</source>

3225

3226

</message>

3227

3228

<source>Use white-noise for current oscillator.</source>

3229

3230

</message>

3231

3232

<source>Use a user-defined waveform for current oscillator.</source>

3233

3234

</message>

3235

</context>

3236

3237

3238

3239

<source>Contributors ordered by number of commits:</source>

3240

3241

</message>

3242

3243

<source>Involved</source>

3244

3245

</message>

3246

</context>

3247

3248

<name>VersionedSaveDialog</name>

3249

3250

<source>Increment version number</source>

3251

3252

</message>

3253

3254

<source>Decrement version number</source>

3255

3256

</message>

3257

</context>

3258

3259

<name>VestigeInstrumentView</name>

3260

3261

<source>Open other VST-plugin</source>

3262

<translation type="unfinished">Abrir outro plugin VST</translation>

3263

</message>

3264

3265

<source>Click here, if you want to open another VST-plugin. After clicking on this button, a file-open-dialog appears and you can select your file.</source>

3266

<translation type="unfinished">Clique aqui se você quer abrir outro plugin VST. clicando neste botão, você verá uma caixa da seleção para escolher o arquivo.</translation>

3267

</message>

3268

3269

3270

3271

</message>

3272

3273

<source>Click here to show or hide the graphical user interface (GUI) of your VST-plugin.</source>

3274

<translation type="unfinished">Clique aqui para mostrar ou esconder a interface gráfica do usuário (GUI) do plugin VST.</translation>

3275

</message>

3276

3277

<source>Turn off all notes</source>

3278

3279

</message>

3280

3281

<source>Open VST-plugin</source>

3282

<translation type="unfinished">Abrir plugin VST</translation>

3283

</message>

3284

3285

<source>DLL-files (*.dll)</source>

3286

<translation type="unfinished">Arquivos DLL (*.dll)</translation>

3287

</message>

3288

3289

<source>EXE-files (*.exe)</source>

3290

<translation type="unfinished">Arquivos EXE (*.exe)</translation>

3291

</message>

3292

3293

<source>No VST-plugin loaded</source>

3294

<translation type="unfinished">Nenhum plgin VST carregado</translation>

3295

</message>

3296

3297

<source>Control VST-plugin from LMMS host</source>

3298

3299

</message>

3300

3301

<source>Click here, if you want to control VST-plugin from host.</source>

3302

3303

</message>

3304

3305

<source>Open VST-plugin preset</source>

3306

3307

</message>

3308

3309

<source>Click here, if you want to open another *.fxp, *.fxb VST-plugin preset.</source>

3310

3311

</message>

3312

3313

<source>Previous (-)</source>

3314

3315

</message>

3316

3317

<source>Click here, if you want to switch to another VST-plugin preset program.</source>

3318

3319

</message>

3320

3321

<source>Save preset</source>

3322

3323

</message>

3324

3325

<source>Click here, if you want to save current VST-plugin preset program.</source>

3326

3327

</message>

3328

3329

3330

3331

</message>

3332

3333

<source>Click here to select presets that are currently loaded in VST.</source>

3334

3335

</message>

3336

3337

<source>Preset</source>

3338

3339

</message>

3340

3341

3342

3343

</message>

3344

3345

<source> - VST plugin control</source>

3346

3347

</message>

3348

</context>

3349

3350

<name>VstEffectControlDialog</name>

3351

3352

3353

3354

</message>

3355

3356

<source>Control VST-plugin from LMMS host</source>

3357

3358

</message>

3359

3360

<source>Click here, if you want to control VST-plugin from host.</source>

3361

3362

</message>

3363

3364

<source>Open VST-plugin preset</source>

3365

3366

</message>

3367

3368

<source>Click here, if you want to open another *.fxp, *.fxb VST-plugin preset.</source>

3369

3370

</message>

3371

3372

<source>Previous (-)</source>

3373

3374

</message>

3375

3376

<source>Click here, if you want to switch to another VST-plugin preset program.</source>

3377

3378

</message>

3379

3380

3381

3382

</message>

3383

3384

<source>Click here to select presets that are currently loaded in VST.</source>

3385

3386

</message>

3387

3388

<source>Save preset</source>

3389

3390

</message>

3391

3392

<source>Click here, if you want to save current VST-plugin preset program.</source>

3393

3394

</message>

3395

3396

<source>Effect by: </source>

3397

3398

</message>

3399

3400

3401

3402

</message>

3403

</context>

3404

3405

<name>VstPlugin</name>

3406

3407

<source>Loading plugin</source>

3408

3409

</message>

3410

3411

<source>Please wait while loading VST-plugin...</source>

3412

3413

</message>

3414

3415

<source>Failed loading VST-plugin</source>

3416

<translation type="unfinished">Falha ao carregar plugin VST</translation>

3417

</message>

3418

3419

<source>The VST-plugin %1 could not be loaded for some reason.

3420

If it runs with other VST-software under Linux, please contact an LMMS-developer!</source>

3421

<translation type="unfinished">O plugin VST não pode ser carregado por alguma razão.

3422

Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS!</translation>

3423

</message>

3424

3425

<source>Open Preset</source>

3426

3427

</message>

3428

3429

<source>Vst Plugin Preset (*.fxp *.fxb)</source>

3430

3431

</message>

3432

3433

<source>: default</source>

3434

3435

</message>

3436

3437

3438

3439

</message>

3440

3441

3442

3443

</message>

3444

3445

<source>Save Preset</source>

3446

3447

</message>

3448

3449

3450

3451

</message>

3452

3453

3454

3455

</message>

3456

3457

3458

3459

</message>

3460

3461

3462

3463

</message>

3464

</context>

3465

3466

<name>ZynAddSubFxInstrument</name>

3467

3468

<source>Portamento</source>

3469

3470

</message>

3471

3472

<source>Filter Frequency</source>

3473

3474

</message>

3475

3476

<source>Filter Resonance</source>

3477

3478

</message>

3479

3480

<source>Bandwidth</source>

3481

3482

</message>

3483

3484

3485

3486

</message>

3487

3488

<source>Resonance Center Frequency</source>

3489

3490

</message>

3491

3492

<source>Resonance Bandwidth</source>

3493

3494

</message>

3495

3496

<source>Forward MIDI Control Change Events</source>

3497

3498

</message>

3499

</context>

3500

3501

<name>ZynAddSubFxView</name>

3502

3503

3504

3505

</message>

3506

3507

<source>Click here to show or hide the graphical user interface (GUI) of ZynAddSubFX.</source>

3508

3509

</message>

3510

3511

<source>Portamento:</source>

3512

3513

</message>

3514

3515

3516

3517

</message>

3518

3519

<source>Filter Frequency:</source>

3520

3521

</message>

3522

3523

3524

3525

</message>

3526

3527

<source>Filter Resonance:</source>

3528

3529

</message>

3530

3531

3532

3533

</message>

3534

3535

<source>Bandwidth:</source>

3536

3537

</message>

3538

3539

3540

3541

</message>

3542

3543

3544

3545

</message>

3546

3547

3548

3549

</message>

3550

3551

<source>Resonance center frequency:</source>

3552

3553

</message>

3554

3555

3556

3557

</message>

3558

3559

<source>Resonance bandwidth:</source>

3560

3561

</message>

3562

3563

3564

3565

</message>

3566

3567

<source>Forward MIDI Control Changes</source>

3568

3569

</message>

3570

</context>

3571

3572

<name>audioFileProcessor</name>

3573

3574

<source>Reverse sample</source>

3575

<translation>Amostra reversa</translation>

3576

</message>

3577

3578

<source>Amplify</source>

3579

<translation>Amplificar</translation>

3580

</message>

3581

3582

<source>Start of sample</source>

3583

<translation>Início da amostra</translation>

3584

</message>

3585

3586

<source>End of sample</source>

3587

<translation>Fim da amostra</translation>

3588

</message>

3589

3590

3591

3592

</message>

3593

3594

<source>Stutter</source>

3595

3596

</message>

3597

</context>

3598

3599

<name>bassBoosterControlDialog</name>

3600

3601

3602

3603

</message>

3604

3605

<source>Frequency:</source>

3606

3607

</message>

3608

3609

3610

3611

</message>

3612

3613

3614

3615

</message>

3616

3617

<source>RATIO</source>

3618

3619

</message>

3620

3621

<source>Ratio:</source>

3622

3623

</message>

3624

</context>

3625

3626

<name>bassBoosterControls</name>

3627

3628

<source>Frequency</source>

3629

3630

</message>

3631

3632

3633

3634

</message>

3635

3636

<source>Ratio</source>

3637

3638

</message>

3639

</context>

3640

3641

<name>bbEditor</name>

3642

3643

<source>Beat+Bassline Editor</source>

3644

<translation>Editor de Batida+Baixo</translation>

3645

</message>

3646

3647

<source>Play/pause current beat/bassline (Space)</source>

3648

<translation>Tocar/pausar a batida/baixo atual (Espaço)</translation>

3649

</message>

3650

3651

<source>Add beat/bassline</source>

3652

<translation type="unfinished">Adicionar batida/baixo</translation>

3653

</message>

3654

3655

<source>Add automation-track</source>

3656

3657

</message>

3658

3659

<source>Stop playback of current beat/bassline (Space)</source>

3660

3661

</message>

3662

3663

<source>Click here to play the current beat/bassline. The beat/bassline is automatically looped when its end is reached.</source>

3664

3665

</message>

3666

3667

<source>Click here to stop playing of current beat/bassline.</source>

3668

3669

</message>

3670

3671

<source>Remove steps</source>

3672

<translation type="unfinished">Remover passo</translation>

3673

</message>

3674

3675

<source>Add steps</source>

3676

<translation type="unfinished">Adicionar passo</translation>

3677

</message>

3678

</context>

3679

3680

<name>bbTCOView</name>

3681

3682

<source>Open in Beat+Bassline-Editor</source>

3683

<translation type="unfinished">Abrir no editor de Batida/Baixo</translation>

3684

</message>

3685

3686

<source>Reset name</source>

3687

<translation type="unfinished">Restaurar nome</translation>

3688

</message>

3689

3690

<source>Change name</source>

3691

<translation type="unfinished">Mudar nome</translation>

3692

</message>

3693

3694

<source>Change color</source>

3695

<translation type="unfinished">Mudar cor</translation>

3696

</message>

3697

</context>

3698

3699

<name>bbTrack</name>

3700

3701

<source>Beat/Bassline %1</source>

3702

<translation>Batida/Baixo %1</translation>

3703

</message>

3704

3705

<source>Clone of %1</source>

3706

3707

</message>

3708

</context>

3709

3710

<name>bitInvader</name>

3711

3712

<source>Samplelength</source>

3713

3714

</message>

3715

</context>

3716

3717

<name>bitInvaderView</name>

3718

3719

<source>Sample Length</source>

3720

3721

</message>

3722

3723

3724

3725

</message>

3726

3727

<source>Triangle wave</source>

3728

3729

</message>

3730

3731

3732

3733

</message>

3734

3735

<source>Square wave</source>

3736

3737

</message>

3738

3739

<source>White noise wave</source>

3740

3741

</message>

3742

3743

<source>User defined wave</source>

3744

3745

</message>

3746

3747

<source>Smooth</source>

3748

3749

</message>

3750

3751

<source>Click here to smooth waveform.</source>

3752

3753

</message>

3754

3755

<source>Interpolation</source>

3756

3757

</message>

3758

3759

<source>Normalize</source>

3760

3761

</message>

3762

3763

<source>Draw your own waveform here by dragging your mouse on this graph.</source>

3764

3765

</message>

3766

3767

<source>Click for a sine-wave.</source>

3768

3769

</message>

3770

3771

<source>Click here for a triangle-wave.</source>

3772

3773

</message>

3774

3775

<source>Click here for a saw-wave.</source>

3776

3777

</message>

3778

3779

<source>Click here for a square-wave.</source>

3780

3781

</message>

3782

3783

<source>Click here for white-noise.</source>

3784

3785

</message>

3786

3787

<source>Click here for a user-defined shape.</source>

3788

3789

</message>

3790

</context>

3791

3792

<name>exportProjectDialog</name>

3793

3794

<source>Could not open file</source>

3795

<translation type="unfinished">Não é possível abrir o arquivo</translation>

3796

</message>

3797

3798

<source>Could not open file %1 for writing.

3799

Please make sure you have write-permission to the file and the directory containing the file and try again!</source>

3800

<translation type="unfinished">Não é possível abrir o arquivo %1 para gravação.

3801

Por favor certifique-se que você tem permissão para gravação no arquivo e se o arquivo se encontra no diretório e tente novamente!</translation>

3802

</message>

3803

3804

<source>Error</source>

3805

3806

</message>

3807

3808

<source>Error while determining file-encoder device. Please try to choose a different output format.</source>

3809

3810

</message>

3811

3812

<source>Rendering: %1%</source>

3813

3814

</message>

3815

3816

<source>Export project to %1</source>

3817

<translation type="unfinished">Exportar projeto para %1</translation>

3818

</message>

3819

</context>

3820

3821

<name>fader</name>

3822

3823

<source>Please enter a new value between %1 and %2:</source>

3824

<translation type="unfinished">Por favor entre com um novo valor entre %1 e %2:</translation>

3825

</message>

3826

</context>

3827

3828

<name>fileBrowser</name>

3829

3830

<source>Browser</source>

3831

3832

</message>

3833

</context>

3834

3835

<name>fileBrowserTreeWidget</name>

3836

3837

<source>Send to active instrument-track</source>

3838

3839

</message>

3840

3841

<source>Open in new instrument-track/Song-Editor</source>

3842

3843

</message>

3844

3845

<source>Open in new instrument-track/B+B Editor</source>

3846

3847

</message>

3848

3849

<source>Loading sample</source>

3850

3851

</message>

3852

3853

<source>Please wait, loading sample for preview...</source>

3854

3855

</message>

3856

3857

<source>--- Factory files ---</source>

3858

3859

</message>

3860

</context>

3861

3862

<name>graphModel</name>

3863

3864

<source>Graph</source>

3865

3866

</message>

3867

</context>

3868

3869

<name>kickerInstrument</name>

3870

3871

<source>Start frequency</source>

3872

3873

</message>

3874

3875

<source>End frequency</source>

3876

3877

</message>

3878

3879

<source>Decay</source>

3880

3881

</message>

3882

3883

<source>Distortion</source>

3884

3885

</message>

3886

3887

3888

3889

</message>

3890

</context>

3891

3892

<name>kickerInstrumentView</name>

3893

3894

<source>Start frequency:</source>

3895

3896

</message>

3897

3898

<source>End frequency:</source>

3899

3900

</message>

3901

3902

<source>Decay:</source>

3903

<translation type="unfinished">Deterioração:</translation>

3904

</message>

3905

3906

<source>Distortion:</source>

3907

3908

</message>

3909

3910

3911

3912

</message>

3913

</context>

3914

3915

3916

3917

3918

3919

</message>

3920

3921

<source>Please enter a new value between %1 and %2:</source>

3922

<translation>Por favor entre com um novo valor entre %1 e %2:</translation>

3923

</message>

3924

3925

<source>Please enter a new value between -96.0 dBV and 6.0 dBV:</source>

3926

3927

</message>

3928

</context>

3929

3930

<name>ladspaBrowserView</name>

3931

3932

<source>Available Effects</source>

3933

3934

</message>

3935

3936

<source>Unavailable Effects</source>

3937

3938

</message>

3939

3940

<source>Instruments</source>

3941

3942

</message>

3943

3944

<source>Analysis Tools</source>

3945

3946

</message>

3947

3948

3949

3950

</message>

3951

3952

<source>This dialog displays information on all of the LADSPA plugins LMMS was able to locate. The plugins are divided into five categories based upon an interpretation of the port types and names.

3953

3954

Available Effects are those that can be used by LMMS. In order for LMMS to be able to use an effect, it must, first and foremost, be an effect, which is to say, it has to have both input channels and output channels. LMMS identifies an input channel as an audio rate port containing 'in' in the name. Output channels are identified by the letters 'out'. Furthermore, the effect must have the same number of inputs and outputs and be real time capable.

3955

3956

Unavailable Effects are those that were identified as effects, but either didn't have the same number of input and output channels or weren't real time capable.

3957

3958

Instruments are plugins for which only output channels were identified.

3959

3960

Analysis Tools are plugins for which only input channels were identified.

3961

3962

Don't Knows are plugins for which no input or output channels were identified.

3963

3964

Double clicking any of the plugins will bring up information on the ports.</source>

3965

3966

</message>

3967

3968

3969

3970

</message>

3971

</context>

3972

3973

<name>ladspaDescription</name>

3974

3975

<source>Plugins</source>

3976

3977

</message>

3978

3979

<source>Description</source>

3980

3981

</message>

3982

</context>

3983

3984

<name>ladspaPortDialog</name>

3985

3986

<source>Ports</source>

3987

3988

</message>

3989

3990

3991

3992

</message>

3993

3994

3995

3996

</message>

3997

3998

<source>Direction</source>

3999

4000

</message>

4001

4002

4003

4004

</message>

4005

4006

4007

4008

</message>

4009

4010

<source>Logarithmic</source>

4011

4012

</message>

4013

4014

<source>SR Dependent</source>

4015

4016

</message>

4017

4018

<source>Audio</source>

4019

4020

</message>

4021

4022

<source>Control</source>

4023

4024

</message>

4025

4026

<source>Input</source>

4027

4028

</message>

4029

4030

<source>Output</source>

4031

4032

</message>

4033

4034

<source>Toggled</source>

4035

4036

</message>

4037

4038

<source>Integer</source>

4039

4040

</message>

4041

4042

<source>Float</source>

4043

4044

</message>

4045

4046

4047

4048

</message>

4049

</context>

4050

4051

<name>lb302Synth</name>

4052

4053

<source>VCF Cutoff Frequency</source>

4054

4055

</message>

4056

4057

<source>VCF Resonance</source>

4058

4059

</message>

4060

4061

<source>VCF Envelope Mod</source>

4062

4063

</message>

4064

4065

<source>VCF Envelope Decay</source>

4066

4067

</message>

4068

4069

<source>Distortion</source>

4070

4071

</message>

4072

4073

<source>Waveform</source>

4074

4075

</message>

4076

4077

<source>Slide Decay</source>

4078

4079

</message>

4080

4081

<source>Slide</source>

4082

4083

</message>

4084

4085

<source>Accent</source>

4086

4087

</message>

4088

4089

4090

4091

</message>

4092

4093

<source>24dB/oct Filter</source>

4094

4095

</message>

4096

</context>

4097

4098

<name>lb302SynthView</name>

4099

4100

<source>Cutoff Freq:</source>

4101

4102

</message>

4103

4104

<source>Resonance:</source>

4105

4106

</message>

4107

4108

4109

4110

</message>

4111

4112

<source>Decay:</source>

4113

<translation type="unfinished">Deterioração:</translation>

4114

</message>

4115

4116

<source>303-es-que, 24dB/octave, 3 pole filter</source>

4117

4118

</message>

4119

4120

<source>Slide Decay:</source>

4121

4122

</message>

4123

4124

4125

4126

</message>

4127

4128

4129

4130

</message>

4131

4132

<source>Click here for a saw-wave.</source>

4133

4134

</message>

4135

4136

<source>Triangle wave</source>

4137

4138

</message>

4139

4140

<source>Click here for a triangle-wave.</source>

4141

4142

</message>

4143

4144

<source>Square wave</source>

4145

4146

</message>

4147

4148

<source>Click here for a square-wave.</source>

4149

4150

</message>

4151

4152

<source>Rounded square wave</source>

4153

4154

</message>

4155

4156

<source>Click here for a square-wave with a rounded end.</source>

4157

4158

</message>

4159

4160

4161

4162

</message>

4163

4164

<source>Click here for a moog-like wave.</source>

4165

4166

</message>

4167

4168

4169

4170

</message>

4171

4172

<source>Click for a sine-wave.</source>

4173

4174

</message>

4175

4176

<source>White noise wave</source>

4177

4178

</message>

4179

4180

<source>Click here for an exponential wave.</source>

4181

4182

</message>

4183

4184

<source>Click here for white-noise.</source>

4185

4186

</message>

4187

</context>

4188

4189

<name>lb303Synth</name>

4190

4191

<source>VCF Cutoff Frequency</source>

4192

4193

</message>

4194

4195

<source>VCF Resonance</source>

4196

4197

</message>

4198

4199

<source>VCF Envelope Mod</source>

4200

4201

</message>

4202

4203

<source>VCF Envelope Decay</source>

4204

4205

</message>

4206

4207

<source>Distortion</source>

4208

4209

</message>

4210

4211

<source>Waveform</source>

4212

4213

</message>

4214

4215

<source>Slide Decay</source>

4216

4217

</message>

4218

4219

<source>Slide</source>

4220

4221

</message>

4222

4223

<source>Accent</source>

4224

4225

</message>

4226

4227

4228

4229

</message>

4230

4231

<source>24dB/oct Filter</source>

4232

4233

</message>

4234

</context>

4235

4236

<name>lb303SynthView</name>

4237

4238

<source>Cutoff Freq:</source>

4239

4240

</message>

4241

4242

4243

4244

</message>

4245

4246

<source>Resonance:</source>

4247

4248

</message>

4249

4250

4251

4252

</message>

4253

4254

4255

4256

</message>

4257

4258

4259

4260

</message>

4261

4262

<source>Decay:</source>

4263

<translation type="unfinished">Deterioração:</translation>

4264

</message>

4265

4266

4267

4268

</message>

4269

4270

<source>303-es-que, 24dB/octave, 3 pole filter</source>

4271

4272

</message>

4273

4274

<source>Slide Decay:</source>

4275

4276

</message>

4277

4278

<source>SLIDE</source>

4279

4280

</message>

4281

4282

4283

4284

</message>

4285

4286

4287

4288

</message>

4289

4290

4291

4292

</message>

4293

4294

4295

4296

</message>

4297

</context>

4298

4299

<name>malletsInstrument</name>

4300

4301

<source>Hardness</source>

4302

4303

</message>

4304

4305

<source>Position</source>

4306

4307

</message>

4308

4309

<source>Vibrato Gain</source>

4310

4311

</message>

4312

4313

<source>Vibrato Freq</source>

4314

4315

</message>

4316

4317

<source>Stick Mix</source>

4318

4319

</message>

4320

4321

<source>Modulator</source>

4322

4323

</message>

4324

4325

<source>Crossfade</source>

4326

4327

</message>

4328

4329

<source>LFO Speed</source>

4330

4331

</message>

4332

4333

<source>LFO Depth</source>

4334

4335

</message>

4336

4337

4338

4339

</message>

4340

4341

<source>Pressure</source>

4342

4343

</message>

4344

4345

<source>Motion</source>

4346

4347

</message>

4348

4349

<source>Speed</source>

4350

4351

</message>

4352

4353

<source>Bowed</source>

4354

4355

</message>

4356

4357

<source>Spread</source>

4358

4359

</message>

4360

4361

<source>Marimba</source>

4362

4363

</message>

4364

4365

<source>Vibraphone</source>

4366

4367

</message>

4368

4369

<source>Agogo</source>

4370

4371

</message>

4372

4373

4374

4375

</message>

4376

4377

4378

4379

</message>

4380

4381

4382

4383

</message>

4384

4385

<source>Beats</source>

4386

4387

</message>

4388

4389

<source>Two Fixed</source>

4390

4391

</message>

4392

4393

<source>Clump</source>

4394

4395

</message>

4396

4397

<source>Tubular Bells</source>

4398

4399

</message>

4400

4401

<source>Uniform Bar</source>

4402

4403

</message>

4404

4405

<source>Tuned Bar</source>

4406

4407

</message>

4408

4409

<source>Glass</source>

4410

4411

</message>

4412

4413

<source>Tibetan Bowl</source>

4414

4415

</message>

4416

4417

<source>Missing files</source>

4418

4419

</message>

4420

4421

<source>Your Stk-installation seems to be incomplete. Please make sure the full Stk-package is installed!</source>

4422

4423

</message>

4424

</context>

4425

4426

<name>malletsInstrumentView</name>

4427

4428

<source>Instrument</source>

4429

4430

</message>

4431

4432

<source>Spread</source>

4433

4434

</message>

4435

4436

<source>Spread:</source>

4437

4438

</message>

4439

4440

<source>Hardness</source>

4441

4442

</message>

4443

4444

<source>Hardness:</source>

4445

4446

</message>

4447

4448

<source>Position</source>

4449

4450

</message>

4451

4452

<source>Position:</source>

4453

4454

</message>

4455

4456

4457

4458

</message>

4459

4460

4461

4462

</message>

4463

4464

4465

4466

</message>

4467

4468

4469

4470

</message>

4471

4472

<source>Stick Mix</source>

4473

4474

</message>

4475

4476

<source>Stick Mix:</source>

4477

4478

</message>

4479

4480

<source>Modulator</source>

4481

4482

</message>

4483

4484

<source>Modulator:</source>

4485

4486

</message>

4487

4488

<source>Crossfade</source>

4489

4490

</message>

4491

4492

<source>Crossfade:</source>

4493

4494

</message>

4495

4496

<source>LFO Speed</source>

4497

4498

</message>

4499

4500

<source>LFO Speed:</source>

4501

4502

</message>

4503

4504

<source>LFO Depth</source>

4505

4506

</message>

4507

4508

<source>LFO Depth:</source>

4509

4510

</message>

4511

4512

4513

4514

</message>

4515

4516

4517

4518

</message>

4519

4520

<source>Bowed</source>

4521

4522

</message>

4523

4524

<source>Pressure</source>

4525

4526

</message>

4527

4528

<source>Pressure:</source>

4529

4530

</message>

4531

4532

<source>Motion</source>

4533

4534

</message>

4535

4536

<source>Motion:</source>

4537

4538

</message>

4539

4540

<source>Speed</source>

4541

4542

</message>

4543

4544

<source>Speed:</source>

4545

4546

</message>

4547

4548

<source>Vibrato</source>

4549

4550

</message>

4551

4552

<source>Vibrato:</source>

4553

4554

</message>

4555

</context>

4556

4557

<name>manageVSTEffectView</name>

4558

4559

<source> - VST parameter control</source>

4560

4561

</message>

4562

4563

4564

4565

</message>

4566

4567

<source>Click here if you want to synchronize all parameters with VST plugin.</source>

4568

4569

</message>

4570

4571

<source>Automated</source>

4572

4573

</message>

4574

4575

<source>Click here if you want to display automated parameters only.</source>

4576

4577

</message>

4578

4579

<source> Close </source>

4580

4581

</message>

4582

4583

<source>Close VST effect knob-controller window.</source>

4584

4585

</message>

4586

</context>

4587

4588

<name>manageVestigeInstrumentView</name>

4589

4590

<source> - VST plugin control</source>

4591

4592

</message>

4593

4594

4595

4596

</message>

4597

4598

<source>Click here if you want to synchronize all parameters with VST plugin.</source>

4599

4600

</message>

4601

4602

<source>Automated</source>

4603

4604

</message>

4605

4606

<source>Click here if you want to display automated parameters only.</source>

4607

4608

</message>

4609

4610

<source> Close </source>

4611

4612

</message>

4613

4614

<source>Close VST plugin knob-controller window.</source>

4615

4616

</message>

4617

</context>

4618

4619

<name>nineButtonSelector</name>

4620

4621

4622

4623

</message>

4624

</context>

4625

4626

<name>opl2instrument</name>

4627

4628

<source>Patch</source>

4629

4630

</message>

4631

4632

<source>Op 1 Attack</source>

4633

4634

</message>

4635

4636

<source>Op 1 Decay</source>

4637

4638

</message>

4639

4640

<source>Op 1 Sustain</source>

4641

4642

</message>

4643

4644

<source>Op 1 Release</source>

4645

4646

</message>

4647

4648

<source>Op 1 Level</source>

4649

4650

</message>

4651

4652

<source>Op 1 Level Scaling</source>

4653

4654

</message>

4655

4656

<source>Op 1 Frequency Multiple</source>

4657

4658

</message>

4659

4660

<source>Op 1 Feedback</source>

4661

4662

</message>

4663

4664

<source>Op 1 Key Scaling Rate</source>

4665

4666

</message>

4667

4668

<source>Op 1 Percussive Envelope</source>

4669

4670

</message>

4671

4672

<source>Op 1 Tremolo</source>

4673

4674

</message>

4675

4676

<source>Op 1 Vibrato</source>

4677

4678

</message>

4679

4680

<source>Op 1 Waveform</source>

4681

4682

</message>

4683

4684

<source>Op 2 Attack</source>

4685

4686

</message>

4687

4688

<source>Op 2 Decay</source>

4689

4690

</message>

4691

4692

<source>Op 2 Sustain</source>

4693

4694

</message>

4695

4696

<source>Op 2 Release</source>

4697

4698

</message>

4699

4700

<source>Op 2 Level</source>

4701

4702

</message>

4703

4704

<source>Op 2 Level Scaling</source>

4705

4706

</message>

4707

4708

<source>Op 2 Frequency Multiple</source>

4709

4710

</message>

4711

4712

<source>Op 2 Key Scaling Rate</source>

4713

4714

</message>

4715

4716

<source>Op 2 Percussive Envelope</source>

4717

4718

</message>

4719

4720

<source>Op 2 Tremolo</source>

4721

4722

</message>

4723

4724

<source>Op 2 Vibrato</source>

4725

4726

</message>

4727

4728

<source>Op 2 Waveform</source>

4729

4730

</message>

4731

4732

4733

4734

</message>

4735

4736

<source>Vibrato Depth</source>

4737

4738

</message>

4739

4740

<source>Tremolo Depth</source>

4741

4742

</message>

4743

</context>

4744

4745

<name>organicInstrument</name>

4746

4747

<source>Distortion</source>

4748

4749

</message>

4750

4751

<source>Volume</source>

4752

4753

</message>

4754

</context>

4755

4756

<name>organicInstrumentView</name>

4757

4758

<source>Distortion:</source>

4759

4760

</message>

4761

4762

<source>Volume:</source>

4763

4764

</message>

4765

4766

<source>Randomise</source>

4767

4768

</message>

4769

4770

<source>Osc %1 waveform:</source>

4771

4772

</message>

4773

4774

<source>Osc %1 volume:</source>

4775

<translation type="unfinished">Volume Osc %1:</translation>

4776

</message>

4777

4778

<source>Osc %1 panning:</source>

4779

<translation type="unfinished">Panning Osc %1:</translation>

4780

</message>

4781

4782

<source>Osc %1 fine detuning left:</source>

4783

<translation type="unfinished">Detom fino esquerdo Osc %1:</translation>

4784

</message>

4785

4786

<source>cents</source>

4787

<translation type="unfinished">centavos</translation>

4788

</message>

4789

</context>

4790

4791

<name>papuInstrument</name>

4792

4793

<source>Sweep time</source>

4794

4795

</message>

4796

4797

<source>Sweep direction</source>

4798

4799

</message>

4800

4801

<source>Sweep RtShift amount</source>

4802

4803

</message>

4804

4805

<source>Wave Pattern Duty</source>

4806

4807

</message>

4808

4809

<source>Channel 1 volume</source>

4810

4811

</message>

4812

4813

<source>Volume sweep direction</source>

4814

4815

</message>

4816

4817

<source>Length of each step in sweep</source>

4818

4819

</message>

4820

4821

<source>Channel 2 volume</source>

4822

4823

</message>

4824

4825

<source>Channel 3 volume</source>

4826

4827

</message>

4828

4829

<source>Channel 4 volume</source>

4830

4831

</message>

4832

4833

<source>Right Output level</source>

4834

4835

</message>

4836

4837

<source>Left Output level</source>

4838

4839

</message>

4840

4841

<source>Channel 1 to SO2 (Left)</source>

4842

4843

</message>

4844

4845

<source>Channel 2 to SO2 (Left)</source>

4846

4847

</message>

4848

4849

<source>Channel 3 to SO2 (Left)</source>

4850

4851

</message>

4852

4853

<source>Channel 4 to SO2 (Left)</source>

4854

4855

</message>

4856

4857

<source>Channel 1 to SO1 (Right)</source>

4858

4859

</message>

4860

4861

<source>Channel 2 to SO1 (Right)</source>

4862

4863

</message>

4864

4865

<source>Channel 3 to SO1 (Right)</source>

4866

4867

</message>

4868

4869

<source>Channel 4 to SO1 (Right)</source>

4870

4871

</message>

4872

4873

<source>Treble</source>

4874

4875

</message>

4876

4877

4878

4879

</message>

4880

4881

<source>Shift Register width</source>

4882

4883

</message>

4884

</context>

4885

4886

<name>papuInstrumentView</name>

4887

4888

<source>Sweep Time:</source>

4889

4890

</message>

4891

4892

<source>Sweep Time</source>

4893

4894

</message>

4895

4896

<source>Sweep RtShift amount:</source>

4897

4898

</message>

4899

4900

<source>Sweep RtShift amount</source>

4901

4902

</message>

4903

4904

<source>Wave pattern duty:</source>

4905

4906

</message>

4907

4908

<source>Wave Pattern Duty</source>

4909

4910

</message>

4911

4912

<source>Square Channel 1 Volume:</source>

4913

4914

</message>

4915

4916

<source>Length of each step in sweep:</source>

4917

4918

</message>

4919

4920

<source>Length of each step in sweep</source>

4921

4922

</message>

4923

4924

<source>Wave pattern duty</source>

4925

4926

</message>

4927

4928

<source>Square Channel 2 Volume:</source>

4929

4930

</message>

4931

4932

<source>Square Channel 2 Volume</source>

4933

4934

</message>

4935

4936

<source>Wave Channel Volume:</source>

4937

4938

</message>

4939

4940

<source>Wave Channel Volume</source>

4941

4942

</message>

4943

4944

<source>Noise Channel Volume:</source>

4945

4946

</message>

4947

4948

<source>Noise Channel Volume</source>

4949

4950

</message>

4951

4952

<source>SO1 Volume (Right):</source>

4953

4954

</message>

4955

4956

<source>SO1 Volume (Right)</source>

4957

4958

</message>

4959

4960

<source>SO2 Volume (Left):</source>

4961

4962

</message>

4963

4964

<source>SO2 Volume (Left)</source>

4965

4966

</message>

4967

4968

<source>Treble:</source>

4969

4970

</message>

4971

4972

<source>Treble</source>

4973

4974

</message>

4975

4976

4977

4978

</message>

4979

4980

4981

4982

</message>

4983

4984

<source>Sweep Direction</source>

4985

4986

</message>

4987

4988

<source>Volume Sweep Direction</source>

4989

4990

</message>

4991

4992

<source>Shift Register Width</source>

4993

4994

</message>

4995

4996

<source>Channel1 to SO1 (Right)</source>

4997

4998

</message>

4999

5000

<source>Channel2 to SO1 (Right)</source>

5001

5002

</message>

5003

5004

<source>Channel3 to SO1 (Right)</source>

5005

5006

</message>

5007

5008

<source>Channel4 to SO1 (Right)</source>

5009

5010

</message>

5011

5012

<source>Channel1 to SO2 (Left)</source>

5013

5014

</message>

5015

5016

<source>Channel2 to SO2 (Left)</source>

5017

5018

</message>

5019

5020

<source>Channel3 to SO2 (Left)</source>

5021

5022

</message>

5023

5024

<source>Channel4 to SO2 (Left)</source>

5025

5026

</message>

5027

5028

<source>Wave Pattern</source>

5029

5030

</message>

5031

5032

<source>The amount of increase or decrease in frequency</source>

5033

5034

</message>

5035

5036

<source>The rate at which increase or decrease in frequency occurs</source>

5037

5038

</message>

5039

5040

<source>The duty cycle is the ratio of the duration (time) that a signal is ON versus the total period of the signal.</source>

5041

5042

</message>

5043

5044

<source>Square Channel 1 Volume</source>

5045

5046

</message>

5047

5048

<source>The delay between step change</source>

5049

5050

</message>

5051

5052

5053

5054

</message>

5055

</context>

5056

5057

<name>pattern</name>

5058

5059

<source>Cannot freeze pattern</source>

5060

<translation>Não é possível congelar padrão</translation>

5061

</message>

5062

5063

<source>The pattern currently cannot be freezed because you're in play-mode. Please stop and try again!</source>

5064

<translation>O padrão atualmente não pode ser congelado porque você está no modo tocar (play-mode). Por favor pare e tente novamente!</translation>

5065

</message>

5066

</context>

5067

5068

<name>patternFreezeStatusDialog</name>

5069

5070

<source>Freezing pattern...</source>

5071

<translation>Congelando padrão...</translation>

5072

</message>

5073

5074

<source>Cancel</source>

5075

<translation>Cancelar</translation>

5076

</message>

5077

</context>

5078

5079

<name>patternView</name>

5080

5081

<source>double-click to open this pattern in piano-roll

5082

use mouse wheel to set volume of a step</source>

5083

5084

</message>

5085

5086

<source>Open in piano-roll</source>

5087

<translation type="unfinished">Abrir nas teclas do piano</translation>

5088

</message>

5089

5090

<source>Clear all notes</source>

5091

<translation type="unfinished">Limpar todas as notas</translation>

5092

</message>

5093

5094

<source>Reset name</source>

5095

<translation type="unfinished">Restaurar nome</translation>

5096

</message>

5097

5098

<source>Change name</source>

5099

<translation type="unfinished">Mudar nome</translation>

5100

</message>

5101

5102

<source>Refreeze</source>

5103

<translation type="unfinished">Re-congelar</translation>

5104

</message>

5105

5106

<source>Freeze</source>

5107

<translation type="unfinished">Congelar</translation>

5108

</message>

5109

5110

<source>Unfreeze</source>

5111

<translation type="unfinished">Descongelar</translation>

5112

</message>

5113

5114

<source>Add steps</source>

5115

<translation type="unfinished">Adicionar passo</translation>

5116

</message>

5117

5118

<source>Remove steps</source>

5119

<translation type="unfinished">Remover passo</translation>

5120

</message>

5121

</context>

5122

5123

<name>PianoRoll</name>

5124

5125

<source>Play/pause current pattern (Space)</source>

5126

<translation>Tocar/pausar padrão atual (Espaço)</translation>

5127

</message>

5128

5129

<source>Record notes from MIDI-device/channel-piano</source>

5130

<translation>Gravar notas do dispositivo MIDI/canal do piano</translation>

5131

</message>

5132

5133

<source>Stop playing of current pattern (Space)</source>

5134

<translation>Parar de tocar o padrão atual (Espaço)</translation>

5135

</message>

5136

5137

<source>Cut selected notes (Ctrl+X)</source>

5138

<translation>Recortar notas selecionadas (Ctrl+X)</translation>

5139

</message>

5140

5141

<source>Copy selected notes (Ctrl+C)</source>

5142

<translation>Copiar notas selecionadas (Ctrl+C)</translation>

5143

</message>

5144

5145

<source>Paste notes from clipboard (Ctrl+V)</source>

5146

<translation>Colar notas da área de transferência (Ctrl+V)</translation>

5147

</message>

5148

5149

<source>Piano-Roll - no pattern</source>

5150

<translation>Teclas do piano - nenhum padrão</translation>

5151

</message>

5152

5153

<source>Piano-Roll - %1</source>

5154

<translation>Teclas do piano - %1</translation>

5155

</message>

5156

5157

<source>Please open a pattern by double-clicking on it!</source>

5158

<translation>Por favor abra um padrão com um duplo clique sobre ele!</translation>

5159

</message>

5160

5161

<source>Record notes from MIDI-device/channel-piano while playing song or BB track</source>

5162

5163

</message>

5164

5165

<source>Draw mode (Shift+D)</source>

5166

5167

</message>

5168

5169

<source>Erase mode (Shift+E)</source>

5170

5171

</message>

5172

5173

<source>Select mode (Shift+S)</source>

5174

5175

</message>

5176

5177

5178

5179

</message>

5180

5181

<source>Click here to play the current pattern. This is useful while editing it. The pattern is automatically looped when its end is reached.</source>

5182

5183

</message>

5184

5185

<source>Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you can play and edit them afterwards.</source>

5186

5187

</message>

5188

5189

<source>Click here to record notes from a MIDI-device or the virtual test-piano of the according channel-window to the current pattern. When recording all notes you play will be written to this pattern and you will hear the song or BB track in the background.</source>

5190

5191

</message>

5192

5193

<source>Click here to stop playback of current pattern.</source>

5194

5195

</message>

5196

5197

<source>Click here and the selected notes will be cut into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.</source>

5198

5199

</message>

5200

5201

<source>Click here and the selected notes will be copied into the clipboard. You can paste them anywhere in any pattern by clicking on the paste button.</source>

5202

5203

</message>

5204

5205

<source>Click here and the notes from the clipboard will be pasted at the first visible measure.</source>

5206

5207

</message>

5208

5209

5210

5211

</message>

5212

5213

<source>Note Volume</source>

5214

5215

</message>

5216

5217

<source>Note Panning</source>

5218

5219

</message>

5220

5221

<source>Detune mode (Shift+T)</source>

5222

5223

</message>

5224

5225

<source>Click here and draw mode will be activated. In this mode you can add, resize and move notes. This is the default mode which is used most of the time. You can also press 'Shift+D' on your keyboard to activate this mode. In this mode, hold Ctrl to temporarily go into select mode.</source>

5226

5227

</message>

5228

5229

<source>Click here and erase mode will be activated. In this mode you can erase notes. You can also press 'Shift+E' on your keyboard to activate this mode.</source>

5230

5231

</message>

5232

5233

<source>Click here and select mode will be activated. In this mode you can select notes. Alternatively, you can hold Ctrl in draw mode to temporarily use select mode.</source>

5234

5235

</message>

5236

5237

<source>Click here and detune mode will be activated. In this mode you can click a note to open its automation detuning. You can utilize this to slide notes from one to another. You can also press 'Shift+T' on your keyboard to activate this mode.</source>

5238

5239

</message>

5240

5241

<source>Mark/unmark current semitone</source>

5242

5243

</message>

5244

5245

<source>Mark current scale</source>

5246

5247

</message>

5248

5249

<source>Mark current chord</source>

5250

5251

</message>

5252

5253

<source>Unmark all</source>

5254

5255

</message>

5256

5257

<source>No scale</source>

5258

5259

</message>

5260

5261

<source>No chord</source>

5262

5263

</message>

5264

</context>

5265

5266

<name>pluginBrowser</name>

5267

5268

<source>Instrument plugins</source>

5269

<translation>Plugins de instrumentos</translation>

5270

</message>

5271

5272

<source>three powerful oscillators you can modulate in several ways</source>

5273

<translation>três osciladores poderosos que você pode modular de várias maneiras</translation>

5274

</message>

5275

5276

<source>no description</source>

5277

5278

</message>

5279

5280

<source>Incomplete monophonic imitation tb303</source>

5281

5282

</message>

5283

5284

<source>Plugin for freely manipulating stereo output</source>

5285

5286

</message>

5287

5288

<source>Plugin for controlling knobs with sound peaks</source>

5289

5290

</message>

5291

5292

<source>Plugin for enhancing stereo separation of a stereo input file</source>

5293

5294

</message>

5295

5296

<source>List installed LADSPA plugins</source>

5297

5298

</message>

5299

5300

<source>Filter for importing FL Studio projects into LMMS</source>

5301

5302

</message>

5303

5304

<source>versatile kick- & bassdrum-synthesizer</source>

5305

5306

</message>

5307

5308

<source>GUS-compatible patch instrument</source>

5309

5310

</message>

5311

5312

<source>plugin for using arbitrary VST-effects inside LMMS.</source>

5313

5314

</message>

5315

5316

<source>Additive Synthesizer for organ-like sounds</source>

5317

5318

</message>

5319

5320

<source>plugin for boosting bass</source>

5321

5322

</message>

5323

5324

<source>Tuneful things to bang on</source>

5325

5326

</message>

5327

5328

<source>simple sampler with various settings for using samples (e.g. drums) in an instrument-track</source>

5329

5330

</message>

5331

5332

<source>VST-host for using VST(i)-plugins within LMMS</source>

5333

5334

</message>

5335

5336

<source>Vibrating string modeler</source>

5337

5338

</message>

5339

5340

<source>plugin for using arbitrary LADSPA-effects inside LMMS.</source>

5341

5342

</message>

5343

5344

<source>Filter for importing MIDI-files into LMMS</source>

5345

5346

</message>

5347

5348

<source>Instrument browser</source>

5349

5350

</message>

5351

5352

<source>Drag an instrument into either the Song-Editor, the Beat+Bassline Editor or into an existing instrument track.</source>

5353

5354

</message>

5355

5356

<source>Emulation of the MOS6581 and MOS8580 SID.

5357

This chip was used in the Commodore 64 computer.</source>

5358

5359

</message>

5360

5361

<source>Player for SoundFont files</source>

5362

5363

</message>

5364

5365

<source>Emulation of GameBoy (TM) APU</source>

5366

5367

</message>

5368

5369

<source>Customizable wavetable synthesizer</source>

5370

5371

</message>

5372

5373

<source>Embedded ZynAddSubFX</source>

5374

5375

</message>

5376

5377

<source>2-operator FM Synth</source>

5378

5379

</message>

5380

5381

<source>Filter for importing Hydrogen files into LMMS</source>

5382

5383

</message>

5384

5385

5386

5387

</message>

5388

</context>

5389

5390

<name>projectNotes</name>

5391

5392

<source>Project notes</source>

5393

<translation>Notas do projeto</translation>

5394

</message>

5395

5396

<source>Put down your project notes here.</source>

5397

<translation>Faça suas anotações aqui.</translation>

5398

</message>

5399

5400

<source>Edit Actions</source>

5401

<translation>Ações de edição</translation>

5402

</message>

5403

5404

5405

<translation>Des&fazer</translation>

5406

</message>

5407

5408

5409

5410

</message>

5411

5412

5413

<translation>&Refazer</translation>

5414

</message>

5415

5416

5417

5418

</message>

5419

5420

5421

<translation>&Copiar</translation>

5422

</message>

5423

5424

5425

5426

</message>

5427

5428

5429

<translation>Recor&tar</translation>

5430

</message>

5431

5432

5433

5434

</message>

5435

5436

<source>&Paste</source>

5437

5438

</message>

5439

5440

5441

5442

</message>

5443

5444

<source>Format Actions</source>

5445

<translation>Ações de formatação</translation>

5446

</message>

5447

5448

5449

<translation>&Negrito</translation>

5450

</message>

5451

5452

5453

5454

</message>

5455

5456

<source>&Italic</source>

5457

<translation>&Itálico</translation>

5458

</message>

5459

5460

5461

5462

</message>

5463

5464

<source>&Underline</source>

5465

<translation>S&ublinhado</translation>

5466

</message>

5467

5468

5469

5470

</message>

5471

5472

5473

<translation>&Esquerda</translation>

5474

</message>

5475

5476

5477

5478

</message>

5479

5480

<source>C&enter</source>

5481

<translation>C&entro</translation>

5482

</message>

5483

5484

5485

5486

</message>

5487

5488

<source>&Right</source>

5489

<translation>Di&reita</translation>

5490

</message>

5491

5492

5493

5494

</message>

5495

5496

<source>&Justify</source>

5497

<translation>&Justificar</translation>

5498

</message>

5499

5500

5501

5502

</message>

5503

5504

<source>&Color...</source>

5505

5506

</message>

5507

</context>

5508

5509

<name>renameDialog</name>

5510

5511

<source>Rename...</source>

5512

<translation>Renomear...</translation>

5513

</message>

5514

</context>

5515

5516

<name>setupDialog</name>

5517

5518

<source>Setup LMMS</source>

5519

<translation>Configurar LMMS</translation>

5520

</message>

5521

5522

<source>General settings</source>

5523

<translation>Configurações gerais</translation>

5524

</message>

5525

5526

<source>BUFFER SIZE</source>

5527

<translation>TAMANHO DO BUFFER</translation>

5528

</message>

5529

5530

<source>Reset to default-value</source>

5531

<translation>Restaurar o valor padrão</translation>

5532

</message>

5533

5534

5535

5536

</message>

5537

5538

<source>Audio settings</source>

5539

<translation>Configurações de Áudio</translation>

5540

</message>

5541

5542

<source>AUDIO INTERFACE</source>

5543

<translation>INTERFACE DE ÁUDIO</translation>

5544

</message>

5545

5546

<source>MIDI settings</source>

5547

<translation>Configurações do MIDI</translation>

5548

</message>

5549

5550

<source>MIDI INTERFACE</source>

5551

<translation>INTERFACE DO MIDI</translation>

5552

</message>

5553

5554

5555

5556

</message>

5557

5558

<source>Cancel</source>

5559

<translation>Cancelar</translation>

5560

</message>

5561

5562

<source>Restart LMMS</source>

5563

<translation>Reiniciar LMMS</translation>

5564

</message>

5565

5566

<source>Please note that most changes won't take effect until you restart LMMS!</source>

5567

<translation>Por favor note que a maioria das mudanças não terão efeito antes de reiniciar o LMMS!</translation>

5568

</message>

5569

5570

<source>Here you can setup the internal buffer-size used by LMMS. Smaller values result in a lower latency but also may cause unusable sound or bad performance, especially on older computers or systems with a non-realtime kernel.</source>

5571

<translation>Aqui você pode ajustar o tamanho do buffer interno usado pelo LMMS. Valores menores resultam em menor latência mas talvez causem soms inscutáveis ou má performance, especialmente em computadores atigos ou sistema com kernel não compilados para trabalhar em tempo real.</translation>

5572

</message>

5573

5574

<source>Here you can select your preferred audio-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, JACK, OSS and more. Below you see a box which offers controls to setup the selected audio-interface.</source>

5575

<translation>Aqui você pode selecionar sua interface de áudio preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, JACK, OSS e outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de áudio selecionada.</translation>

5576

</message>

5577

5578

<source>Here you can select your preferred MIDI-interface. Depending on the configuration of your system during compilation time you can choose between ALSA, OSS and more. Below you see a box which offers controls to setup the selected MIDI-interface.</source>

5579

<translation>Aqui você pode selecionar sua interface de MIDI preferida. Dependendo das configurações do sistema durante a compilação, você poderá escolher entre ALSA, OSS e outros. Abaixo você verá uma caixa que oferece controles para ajustar a interface de MIDI selecionada.</translation>

5580

</message>

5581

5582

<source>Enable tooltips</source>

5583

5584

</message>

5585

5586

<source>Show restart warning after changing settings</source>

5587

5588

</message>

5589

5590

<source>Display volume as dBV </source>

5591

5592

</message>

5593

5594

<source>Compress project files per default</source>

5595

5596

</message>

5597

5598

<source>HQ-mode for output audio-device</source>

5599

5600

</message>

5601

5602

<source>LMMS working directory</source>

5603

5604

</message>

5605

5606

<source>VST-plugin directory</source>

5607

5608

</message>

5609

5610

<source>Artwork directory</source>

5611

5612

</message>

5613

5614

<source>FL Studio installation directory</source>

5615

5616

</message>

5617

5618

<source>STK rawwave directory</source>

5619

5620

</message>

5621

5622

<source>Performance settings</source>

5623

5624

</message>

5625

5626

<source>UI effects vs. performance</source>

5627

5628

</message>

5629

5630

<source>Frames: %1

5631

Latency: %2 ms</source>

5632

5633

</message>

5634

5635

<source>Choose LMMS working directory</source>

5636

5637

</message>

5638

5639

<source>Choose your VST-plugin directory</source>

5640

5641

</message>

5642

5643

<source>Choose artwork-theme directory</source>

5644

5645

</message>

5646

5647

<source>Choose FL Studio installation directory</source>

5648

5649

</message>

5650

5651

<source>Choose LADSPA plugin directory</source>

5652

5653

</message>

5654

5655

<source>Choose STK rawwave directory</source>

5656

5657

</message>

5658

5659

<source>Paths</source>

5660

5661

</message>

5662

5663

<source>LADSPA plugin paths</source>

5664

5665

</message>

5666

5667

<source>Default Soundfont File</source>

5668

5669

</message>

5670

5671

<source>Background artwork</source>

5672

5673

</message>

5674

5675

<source>Choose default SoundFont</source>

5676

5677

</message>

5678

5679

<source>Choose background artwork</source>

5680

5681

</message>

5682

5683

<source>One instrument track window mode</source>

5684

5685

</message>

5686

5687

<source>Compact track buttons</source>

5688

5689

</message>

5690

5691

<source>Sync VST plugins to host playback</source>

5692

5693

</message>

5694

5695

<source>Enable note labels in piano roll</source>

5696

5697

</message>

5698

5699

<source>Enable waveform display by default</source>

5700

5701

</message>

5702

5703

<source>Smooth scroll in Song Editor</source>

5704

5705

</message>

5706

5707

<source>Enable auto save feature</source>

5708

5709

</message>

5710

5711

<source>Show playback cursor in AudioFileProcessor</source>

5712

5713

</message>

5714

</context>

5715

5716

<name>sf2Instrument</name>

5717

5718

5719

5720

</message>

5721

5722

<source>Patch</source>

5723

5724

</message>

5725

5726

5727

5728

</message>

5729

5730

<source>Reverb</source>

5731

5732

</message>

5733

5734

<source>Reverb Roomsize</source>

5735

5736

</message>

5737

5738

<source>Reverb Damping</source>

5739

5740

</message>

5741

5742

<source>Reverb Width</source>

5743

5744

</message>

5745

5746

<source>Reverb Level</source>

5747

5748

</message>

5749

5750

<source>Chorus</source>

5751

5752

</message>

5753

5754

<source>Chorus Lines</source>

5755

5756

</message>

5757

5758

<source>Chorus Level</source>

5759

5760

</message>

5761

5762

<source>Chorus Speed</source>

5763

5764

</message>

5765

5766

<source>Chorus Depth</source>

5767

5768

</message>

5769

</context>

5770

5771

<name>sf2InstrumentView</name>

5772

5773

<source>Open other SoundFont file</source>

5774

5775

</message>

5776

5777

<source>Click here to open another SF2 file</source>

5778

5779

</message>

5780

5781

<source>Choose the patch</source>

5782

5783

</message>

5784

5785

5786

5787

</message>

5788

5789

<source>Apply reverb (if supported)</source>

5790

5791

</message>

5792

5793

<source>This button enables the reverb effect. This is useful for cool effects, but only works on files that support it.</source>

5794

5795

</message>

5796

5797

<source>Reverb Roomsize:</source>

5798

5799

</message>

5800

5801

<source>Reverb Damping:</source>

5802

5803

</message>

5804

5805

<source>Reverb Width:</source>

5806

5807

</message>

5808

5809

<source>Reverb Level:</source>

5810

5811

</message>

5812

5813

<source>Apply chorus (if supported)</source>

5814

5815

</message>

5816

5817

<source>This button enables the chorus effect. This is useful for cool echo effects, but only works on files that support it.</source>

5818

5819

</message>

5820

5821

<source>Chorus Lines:</source>

5822

5823

</message>

5824

5825

<source>Chorus Level:</source>

5826

5827

</message>

5828

5829

<source>Chorus Speed:</source>

5830

5831

</message>

5832

5833

<source>Chorus Depth:</source>

5834

5835

</message>

5836

5837

<source>Open SoundFont file</source>

5838

5839

</message>

5840

5841

<source>SoundFont2 Files (*.sf2)</source>

5842

5843

</message>

5844

</context>

5845

5846

<name>sfxrInstrument</name>

5847

5848

5849

5850

</message>

5851

</context>

5852

5853

<name>sidInstrument</name>

5854

5855

<source>Cutoff</source>

5856

5857

</message>

5858

5859

<source>Resonance</source>

5860

5861

</message>

5862

5863

<source>Filter type</source>

5864

5865

</message>

5866

5867

<source>Voice 3 off</source>

5868

5869

</message>

5870

5871

<source>Volume</source>

5872

5873

</message>

5874

5875

<source>Chip model</source>

5876

5877

</message>

5878

</context>

5879

5880

<name>sidInstrumentView</name>

5881

5882

<source>Volume:</source>

5883

5884

</message>

5885

5886

<source>Resonance:</source>

5887

5888

</message>

5889

5890

<source>Cutoff frequency:</source>

5891

5892

</message>

5893

5894

<source>High-Pass filter </source>

5895

5896

</message>

5897

5898

<source>Band-Pass filter </source>

5899

5900

</message>

5901

5902

<source>Low-Pass filter </source>

5903

5904

</message>

5905

5906

<source>Voice3 Off </source>

5907

5908

</message>

5909

5910

5911

5912

</message>

5913

5914

5915

5916

</message>

5917

5918

<source>Attack:</source>

5919

<translation type="unfinished">Ataque:</translation>

5920

</message>

5921

5922

<source>Attack rate determines how rapidly the output of Voice %1 rises from zero to peak amplitude.</source>

5923

5924

</message>

5925

5926

<source>Decay:</source>

5927

<translation type="unfinished">Deterioração:</translation>

5928

</message>

5929

5930

<source>Decay rate determines how rapidly the output falls from the peak amplitude to the selected Sustain level.</source>

5931

5932

</message>

5933

5934

<source>Sustain:</source>

5935

<translation type="unfinished">Sustentação:</translation>

5936

</message>

5937

5938

<source>Output of Voice %1 will remain at the selected Sustain amplitude as long as the note is held.</source>

5939

5940

</message>

5941

5942

<source>Release:</source>

5943

<translation type="unfinished">Libera:</translation>

5944

</message>

5945

5946

<source>The output of of Voice %1 will fall from Sustain amplitude to zero amplitude at the selected Release rate.</source>

5947

5948

</message>

5949

5950

<source>Pulse Width:</source>

5951

5952

</message>

5953

5954

<source>The Pulse Width resolution allows the width to be smoothly swept with no discernable stepping. The Pulse waveform on Oscillator %1 must be selected to have any audible effect.</source>

5955

5956

</message>

5957

5958

<source>Coarse:</source>

5959

5960

</message>

5961

5962

<source>The Coarse detuning allows to detune Voice %1 one octave up or down.</source>

5963

5964

</message>

5965

5966

<source>Pulse Wave</source>

5967

5968

</message>

5969

5970

<source>Triangle Wave</source>

5971

5972

</message>

5973

5974

<source>SawTooth</source>

5975

5976

</message>

5977

5978

<source>Noise</source>

5979

5980

</message>

5981

5982

5983

5984

</message>

5985

5986

<source>Sync synchronizes the fundamental frequency of Oscillator %1 with the fundamental frequency of Oscillator %2 producing "Hard Sync" effects.</source>

5987

5988

</message>

5989

5990

5991

5992

</message>

5993

5994

<source>Ring-mod replaces the Triangle Waveform output of Oscillator %1 with a "Ring Modulated" combination of Oscillators %1 and %2.</source>

5995

5996

</message>

5997

5998

<source>Filtered</source>

5999

6000

</message>

6001

6002

<source>When Filtered is on, Voice %1 will be processed through the Filter. When Filtered is off, Voice %1 appears directly at the output, and the Filter has no effect on it.</source>

6003

6004

</message>

6005

6006

6007

6008

</message>

6009

6010

<source>Test, when set, resets and locks Oscillator %1 at zero until Test is turned off.</source>

6011

6012

</message>

6013

</context>

6014

6015

6016

6017

<source>Tempo</source>

6018

6019

</message>

6020

6021

<source>Master volume</source>

6022

6023

</message>

6024

6025

<source>Master pitch</source>

6026

6027

</message>

6028

6029

<source>Project saved</source>

6030

6031

</message>

6032

6033

<source>The project %1 is now saved.</source>

6034

6035

</message>

6036

6037

<source>Project NOT saved.</source>

6038

<translation type="unfinished">Projeto NÃO salvo.</translation>

6039

</message>

6040

6041

<source>The project %1 was not saved!</source>

6042

6043

</message>

6044

6045

<source>Import file</source>

6046

<translation type="unfinished">Importar arquivo</translation>

6047

</message>

6048

6049

<source>untitled</source>

6050

6051

</message>

6052

6053

<source>Select file for project-export...</source>

6054

<translation type="unfinished">Selecione o arquivo para exportar o projeto...</translation>

6055

</message>

6056

6057

<source>Empty project</source>

6058

6059

</message>

6060

6061

<source>This project is empty so exporting makes no sense. Please put some items into Song Editor first!</source>

6062

6063

</message>

6064

6065

<source>MIDI sequences</source>

6066

6067

</message>

6068

6069

<source>FL Studio projects</source>

6070

6071

</message>

6072

6073

<source>All file types</source>

6074

6075

</message>

6076

6077

<source>Hydrogen projects</source>

6078

6079

</message>

6080

6081

<source>Select directory for writing exported tracks...</source>

6082

6083

</message>

6084

</context>

6085

6086

<name>SongEditor</name>

6087

6088

<source>Song-Editor</source>

6089

<translation>Editor de música</translation>

6090

</message>

6091

6092

<source>Play song (Space)</source>

6093

<translation>Tocar música (Espaço)</translation>

6094

</message>

6095

6096

<source>Stop song (Space)</source>

6097

<translation>Parar música (Espaço)</translation>

6098

</message>

6099

6100

<source>Add beat/bassline</source>

6101

<translation>Adicionar batida/baixo</translation>

6102

</message>

6103

6104

<source>Add sample-track</source>

6105

<translation>Adicionar trlha de amostra</translation>

6106

</message>

6107

6108

<source>Click here, if you want to play your whole song. Playing will be started at the song-position-marker (green). You can also move it while playing.</source>

6109

<translation>Clique aqui se você quer tocar toda a música. A música iniciará no posição do marcador (verde). Você pode move-lo enquanto estiver tocando.</translation>

6110

</message>

6111

6112

<source>Click here, if you want to stop playing of your song. The song-position-marker will be set to the start of your song.</source>

6113

<translation>Clique aqui se você quer parar de tocar a música. O marcador de posição (verde), será ajustado para o início da música.</translation>

6114

</message>

6115

6116

<source>Could not open file</source>

6117

<translation>Não é possível abrir o arquivo</translation>

6118

</message>

6119

6120

<source>Could not write file</source>

6121

<translation>Não é possivel gravar o arquivo</translation>

6122

</message>

6123

6124

<source>Add automation-track</source>

6125

6126

</message>

6127

6128

6129

6130

</message>

6131

6132

<source>Edit mode (select and move)</source>

6133

6134

</message>

6135

6136

<source>Record samples from Audio-device</source>

6137

6138

</message>

6139

6140

<source>Record samples from Audio-device while playing song or BB track</source>

6141

6142

</message>

6143

6144

<source>Could not open file %1. You probably have no permissions to read this file.

6145

Please make sure to have at least read permissions to the file and try again.</source>

6146

6147

</message>

6148

6149

<source>Error in file</source>

6150

6151

</message>

6152

6153

<source>The file %1 seems to contain errors and therefore can't be loaded.</source>

6154

6155

</message>

6156

6157

<source>Tempo</source>

6158

6159

</message>

6160

6161

<source>TEMPO/BPM</source>

6162

<translation type="unfinished">TEMPO/BPM</translation>

6163

</message>

6164

6165

<source>tempo of song</source>

6166

<translation type="unfinished">tempo da música</translation>

6167

</message>

6168

6169

<source>The tempo of a song is specified in beats per minute (BPM). If you want to change the tempo of your song, change this value. Every measure has four beats, so the tempo in BPM specifies, how many measures / 4 should be played within a minute (or how many measures should be played within four minutes).</source>

6170

6171

</message>

6172

6173

<source>High quality mode</source>

6174

<translation type="unfinished">Modo de alta qualidade</translation>

6175

</message>

6176

6177

<source>Master volume</source>

6178

6179

</message>

6180

6181

<source>master volume</source>

6182

6183

</message>

6184

6185

<source>Master pitch</source>

6186

6187

</message>

6188

6189

<source>master pitch</source>

6190

<translation type="unfinished">lance (pitch) mestre</translation>

6191

</message>

6192

6193

<source>Value: %1%</source>

6194

6195

</message>

6196

6197

<source>Value: %1 semitones</source>

6198

6199

</message>

6200

6201

<source>Could not open %1 for writing. You probably are not permitted to write to this file. Please make sure you have write-access to the file and try again.</source>

6202

6203

</message>

6204

</context>

6205

6206

<name>spectrumAnalyzerControlDialog</name>

6207

6208

<source>Linear spectrum</source>

6209

6210

</message>

6211

6212

<source>Linear Y axis</source>

6213

6214

</message>

6215

</context>

6216

6217

<name>spectrumAnalyzerControls</name>

6218

6219

<source>Linear spectrum</source>

6220

6221

</message>

6222

6223

<source>Linear Y-axis</source>

6224

6225

</message>

6226

6227

<source>Channel mode</source>

6228

6229

</message>

6230

</context>

6231

6232

<name>stereoEnhancerControlDialog</name>

6233

6234

6235

6236

</message>

6237

6238

<source>Width:</source>

6239

6240

</message>

6241

</context>

6242

6243

<name>stereoEnhancerControls</name>

6244

6245

<source>Width</source>

6246

6247

</message>

6248

</context>

6249

6250

<name>stereoMatrixControlDialog</name>

6251

6252

6253

6254

</message>

6255

6256

<source>Left to Right Vol:</source>

6257

6258

</message>

6259

6260

<source>Right to Left Vol:</source>

6261

6262

</message>

6263

6264

<source>Right to Right Vol:</source>

6265

6266

</message>

6267

</context>

6268

6269

<name>stereoMatrixControls</name>

6270

6271

6272

6273

</message>

6274

6275

<source>Left to Right</source>

6276

6277

</message>

6278

6279

<source>Right to Left</source>

6280

6281

</message>

6282

6283

<source>Right to Right</source>

6284

6285

</message>

6286

</context>

6287

6288

<name>timeLine</name>

6289

6290

<source>Enable/disable auto-scrolling</source>

6291

<translation>Ativa/desativa auto-rolagem</translation>

6292

</message>

6293

6294

<source>Enable/disable loop-points</source>

6295

<translation>Ativa/desativa pontos de loop</translation>

6296

</message>

6297

6298

<source>After stopping go back to begin</source>

6299

<translation>Quando parar volta para o começo</translation>

6300

</message>

6301

6302

<source>After stopping go back to position at which playing was started</source>

6303

<translation>Quando parar volta para a posição que estava quando começou a tocar</translation>

6304

</message>

6305

6306

<source>After stopping keep position</source>

6307

<translation>Quando parar mantém a posição</translation>

6308

</message>

6309

6310

6311

6312

</message>

6313

6314

<source>Press <Ctrl> to disable magnetic loop points.</source>

6315

6316

</message>

6317

6318

<source>Hold <Shift> to move the begin loop point; Press <Ctrl> to disable magnetic loop points.</source>

6319

6320

</message>

6321

</context>

6322

6323

<name>track</name>

6324

6325

<source>Muted</source>

6326

6327

</message>

6328

6329

6330

6331

</message>

6332

</context>

6333

6334

<name>trackContentObject</name>

6335

6336

<source>Muted</source>

6337

6338

</message>

6339

</context>

6340

6341

<name>trackContentObjectView</name>

6342

6343

<source>Current position</source>

6344

6345

</message>

6346

6347

6348

6349

</message>

6350

6351

<source>Press <Ctrl> and drag to make a copy.</source>

6352

6353

</message>

6354

6355

<source>Current length</source>

6356

6357

</message>

6358

6359

<source>Press <Ctrl> for free resizing.</source>

6360

6361

</message>

6362

6363

6364

6365

</message>

6366

6367

<source>Delete (middle mousebutton)</source>

6368

6369

</message>

6370

6371

6372

<translation type="unfinished">Recortar</translation>

6373

</message>

6374

6375

6376

<translation type="unfinished">Copiar</translation>

6377

</message>

6378

6379

<source>Paste</source>

6380

<translation type="unfinished">Colar</translation>

6381

</message>

6382

6383

<source>Mute/unmute (<Ctrl> + middle click)</source>

6384

6385

</message>

6386

</context>

6387

6388

<name>trackOperationsWidget</name>

6389

6390

<source>Press <Ctrl> while clicking on move-grip to begin a new drag'n'drop-action.</source>

6391

6392

</message>

6393

6394

<source>Actions for this track</source>

6395

6396

</message>

6397

6398

6399

6400

</message>

6401

6402

<source>Mute this track</source>

6403

6404

</message>

6405

6406

6407

6408

</message>

6409

6410

<source>Clone this track</source>

6411

<translation type="unfinished">Clonar esta trilha</translation>

6412

</message>

6413

6414

<source>Remove this track</source>

6415

<translation type="unfinished">Remover esta trilha</translation>

6416

</message>

6417

</context>

6418

6419

<name>vestigeInstrument</name>

6420

6421

<source>Failed loading VST-plugin</source>

6422

<translation>Falha ao carregar plugin VST</translation>

6423

</message>

6424

6425

<source>The VST-plugin %1 could not be loaded for some reason.

6426

If it runs with other VST-software under Linux, please contact an LMMS-developer!</source>

6427

<translation>O plugin VST não pode ser carregado por alguma razão.

6428

Se ele rodar com outro programa VST no Linux, por favor entre em contato com um desenvolvedor do LMMS!</translation>

6429

</message>

6430

6431

<source>Loading plugin</source>

6432

6433

</message>

6434

6435

<source>Please wait while loading VST-plugin...</source>

6436

6437

</message>

6438

</context>

6439

6440

<name>vibed</name>

6441

6442

<source>String %1 volume</source>

6443

6444

</message>

6445

6446

<source>String %1 stiffness</source>

6447

6448

</message>

6449

6450

<source>Pick %1 position</source>

6451

6452

</message>

6453

6454

<source>Pickup %1 position</source>

6455

6456

</message>

6457

6458

6459

6460

</message>

6461

6462

<source>Detune %1</source>

6463

6464

</message>

6465

6466

<source>Fuzziness %1 </source>

6467

6468

</message>

6469

6470

<source>Length %1</source>

6471

6472

</message>

6473

6474

<source>Impulse %1</source>

6475

6476

</message>

6477

6478

<source>Octave %1</source>

6479

6480

</message>

6481

</context>

6482

6483

<name>vibedView</name>

6484

6485

<source>Volume:</source>

6486

6487

</message>

6488

6489

<source>The 'V' knob sets the volume of the selected string.</source>

6490

6491

</message>

6492

6493

<source>String stiffness:</source>

6494

6495

</message>

6496

6497

<source>The 'S' knob sets the stiffness of the selected string. The stiffness of the string affects how long the string will ring out. The lower the setting, the longer the string will ring.</source>

6498

6499

</message>

6500

6501

<source>Pick position:</source>

6502

<translation type="unfinished">Escolher posição:</translation>

6503

</message>

6504

6505

<source>The 'P' knob sets the position where the selected string will be 'picked'. The lower the setting the closer the pick is to the bridge.</source>

6506

6507

</message>

6508

6509

<source>Pickup position:</source>

6510

<translation type="unfinished">Coletar posição:</translation>

6511

</message>

6512

6513

<source>The 'PU' knob sets the position where the vibrations will be monitored for the selected string. The lower the setting, the closer the pickup is to the bridge.</source>

6514

6515

</message>

6516

6517

6518

6519

</message>

6520

6521

<source>The Pan knob determines the location of the selected string in the stereo field.</source>

6522

6523

</message>

6524

6525

<source>Detune:</source>

6526

6527

</message>

6528

6529

<source>The Detune knob modifies the pitch of the selected string. Settings less than zero will cause the string to sound flat. Settings greater than zero will cause the string to sound sharp.</source>

6530

6531

</message>

6532

6533

<source>Fuzziness:</source>

6534

6535

</message>

6536

6537

<source>The Slap knob adds a bit of fuzz to the selected string which is most apparent during the attack, though it can also be used to make the string sound more 'metallic'.</source>

6538

6539

</message>

6540

6541

<source>Length:</source>

6542

6543

</message>

6544

6545

<source>The Length knob sets the length of the selected string. Longer strings will both ring longer and sound brighter, however, they will also eat up more CPU cycles.</source>

6546

6547

</message>

6548

6549

<source>Impulse or initial state</source>

6550

6551

</message>

6552

6553

<source>The 'Imp' selector determines whether the waveform in the graph is to be treated as an impulse imparted to the string by the pick or the initial state of the string.</source>

6554

6555

</message>

6556

6557

<source>Octave</source>

6558

6559

</message>

6560

6561

<source>The Octave selector is used to choose which harmonic of the note the string will ring at. For example, '-2' means the string will ring two octaves below the fundamental, 'F' means the string will ring at the fundamental, and '6' means the string will ring six octaves above the fundamental.</source>

6562

6563

</message>

6564

6565

<source>Impulse Editor</source>

6566

6567

</message>

6568

6569

<source>The waveform editor provides control over the initial state or impulse that is used to start the string vibrating. The buttons to the right of the graph will initialize the waveform to the selected type. The '?' button will load a waveform from a file--only the first 128 samples will be loaded.

6570

6571

The waveform can also be drawn in the graph.

6572

6573

The 'S' button will smooth the waveform.

6574

6575

The 'N' button will normalize the waveform.</source>

6576

6577

</message>

6578

6579

<source>Vibed models up to nine independently vibrating strings. The 'String' selector allows you to choose which string is being edited. The 'Imp' selector chooses whether the graph represents an impulse or the initial state of the string. The 'Octave' selector chooses which harmonic the string should vibrate at.

6580

6581

The graph allows you to control the initial state or impulse used to set the string in motion.

6582

6583

The 'V' knob controls the volume. The 'S' knob controls the string's stiffness. The 'P' knob controls the pick position. The 'PU' knob controls the pickup position.

6584

6585

'Pan' and 'Detune' hopefully don't need explanation. The 'Slap' knob adds a bit of fuzz to the sound of the string.

6586

6587

The 'Length' knob controls the length of the string.

6588

6589

The LED in the lower right corner of the waveform editor determines whether the string is active in the current instrument.</source>

6590

6591

</message>

6592

6593

<source>Enable waveform</source>

6594

6595

</message>

6596

6597

<source>Click here to enable/disable waveform.</source>

6598

6599

</message>

6600

6601

<source>String</source>

6602

6603

</message>

6604

6605

<source>The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active.</source>

6606

6607

</message>

6608

6609

6610

6611

</message>

6612

6613

<source>Triangle wave</source>

6614

6615

</message>

6616

6617

6618

6619

</message>

6620

6621

<source>Square wave</source>

6622

6623

</message>

6624

6625

<source>White noise wave</source>

6626

6627

</message>

6628

6629

<source>User defined wave</source>

6630

6631

</message>

6632

6633

<source>Smooth</source>

6634

6635

</message>

6636

6637

<source>Click here to smooth waveform.</source>

6638

6639

</message>

6640

6641

<source>Normalize</source>

6642

6643

</message>

6644

6645

<source>Click here to normalize waveform.</source>

6646

6647

</message>

6648

6649

6650

6651

</message>

6652

6653

<source>Use a sine-wave for current oscillator.</source>

6654

6655

</message>

6656

6657

<source>Use a triangle-wave for current oscillator.</source>

6658

6659

</message>

6660

6661

<source>Use a saw-wave for current oscillator.</source>

6662

6663

</message>

6664

6665

<source>Use a square-wave for current oscillator.</source>

6666

6667

</message>

6668

6669

<source>Use white-noise for current oscillator.</source>

6670

6671

</message>

6672

6673

<source>Use a user-defined waveform for current oscillator.</source>

6674

6675

</message>

6676

</context>

6677

6678

<name>visualizationWidget</name>

6679

6680

<source>click to enable/disable visualization of master-output</source>

6681

<translation>Clique para habilitar/desabilitar a visualização da saída mestre</translation>

6682

</message>

6683

6684

<source>Click to enable</source>

6685

6686

</message>

6687

</context>

6688

6689

<name>voiceObject</name>

6690

6691

<source>Voice %1 pulse width</source>

6692

6693

</message>

6694

6695

<source>Voice %1 attack</source>

6696

6697

</message>

6698

6699

<source>Voice %1 decay</source>

6700

6701

</message>

6702

6703

<source>Voice %1 sustain</source>

6704

6705

</message>

6706

6707

<source>Voice %1 release</source>

6708

6709

</message>

6710

6711

<source>Voice %1 coarse detuning</source>

6712

6713

</message>

6714

6715

<source>Voice %1 wave shape</source>

6716

6717

</message>

6718

6719

<source>Voice %1 sync</source>

6720

6721

</message>

6722

6723

<source>Voice %1 ring modulate</source>

6724

6725

</message>

6726

6727

<source>Voice %1 filtered</source>

6728

6729

</message>

6730

6731

<source>Voice %1 test</source>

6732

6733

</message>

6734

</context>

6735

</TS>