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#N canvas 231 67 705 628 12;
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#X obj 177 604 outlet~;
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#X obj 104 396 makefilename sample%d;
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#X msg 104 419 set \$1;
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#X obj 104 442 tabread4~ sample1;
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#X obj 360 419 dbtorms;
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#X obj 201 72 delay 5;
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#X obj 289 95 unpack 0 0 0 0 0 0 0;
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#X obj 156 205 / 261.62;
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#X obj 156 228 * 4.41e+08;
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#X obj 247 303 pack 0 0 0 0 0;
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#X obj 201 95 t b b b;
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#X obj 309 184 * 44.1;
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#X msg 325 337 0 \, \$1 \$2;
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#X msg 128 338 \$3 \, \$4 1e+07;
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#X obj 177 553 inlet~;
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#X text 44 15 This is an abstraction used by the polyphonic sampler.
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#X text 505 67 ARGUMENTS FOR NOTES:;
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#X text 505 89 pitch in halftones;
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#X text 505 113 amplitude (dB);
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#X text 505 161 sample number;
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#X text 505 137 duration (msec);
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#X text 505 185 start location (msec);
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#X text 505 209 rise time (msec);
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#X text 505 233 decay time (msec);
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#X obj 301 396 vline~;
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#X obj 406 490 vline~;
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#X connect 28 0 24 1;
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#X connect 29 0 28 0;
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#X connect 30 0 49 0;
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#X connect 31 0 49 0;
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#X connect 33 0 48 0;
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#X connect 36 0 14 0;
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#X connect 37 0 38 0;
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#X connect 50 0 10 0;
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#X connect 50 0 10 1;