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$Id: config.h,v 1.51 2001/06/06 18:56:02 mueller Exp $
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TiMidity -- Experimental MIDI to WAVE converter
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Copyright (C) 1995 Tuukka Toivonen <toivonen@clinet.fi>
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This program is free software; you can redistribute it and/or modify
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it under the terms of the GNU General Public License as published by
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the Free Software Foundation; either version 2 of the License, or
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(at your option) any later version.
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This program is distributed in the hope that it will be useful,
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but WITHOUT ANY WARRANTY; without even the implied warranty of
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MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
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GNU General Public License for more details.
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You should have received a copy of the GNU General Public License
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along with this program; if not, write to the Free Software
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Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
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#include "../config.h"
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#include "../../config.h"
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/* if above referenced file does not exist, use something like:
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#define TIMID_DIR DEFAULT_PATH
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#define TIMID_DIR "/usr/local/lib/timidity"
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/* Enable extensions taken from TiMidity++ */
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/* Enable Nicolas Witczak's effects processing */
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#define CHANNEL_EFFECT
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/* Filename extension, followed by command to run decompressor so that
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output is written to stdout. Terminate the list with a 0.
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Any file with a name ending in one of these strings will be run
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through the corresponding decompressor. If you don't like this
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behavior, you can undefine DECOMPRESSOR_LIST to disable automatic
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decompression entirely.
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This is currently ignored for Win32. */
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#define DECOMPRESSOR_LIST { \
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".gz", "gunzip -c %s", \
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".bz2", "bzip2 -cd %s", \
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".zip", "unzip -p %s", \
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".lha", "lha -pq %s", \
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".lzh", "lha -pq %s", \
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".shn", "shorten -x %s -", \
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".wav", "wav2pat %s", \
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/* When a patch file can't be opened, one of these extensions is
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appended to the filename and the open is tried again.
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This is ignored for Win32, which uses only ".pat" (see the bottom
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of this file if you need to change this.) */
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#define PATCH_EXT_LIST { \
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/* Acoustic Grand Piano seems to be the usual default instrument. */
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#define DEFAULT_PROGRAM 0
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/* 9 here is MIDI channel 10, which is the standard percussion channel.
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Some files (notably C:\WINDOWS\CANYON.MID) think that 16 is one too.
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On the other hand, some files know that 16 is not a drum channel and
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try to play music on it. This is now a runtime option, so this isn't
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a critical choice anymore. */
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#define DEFAULT_DRUMCHANNELS (1<<9)
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/*#define DEFAULT_DRUMCHANNELS ((1<<9) | (1<<15))*/
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/* type of floating point number */
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typedef double FLOAT_T;
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/* typedef float FLOAT_T; */
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/* A somewhat arbitrary frequency range. The low end of this will
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sound terrible as no lowpass filtering is performed on most
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instruments before resampling. */
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#define MIN_OUTPUT_RATE 4000
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#define MAX_OUTPUT_RATE 65000
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#ifndef DEFAULT_AMPLIFICATION
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#define DEFAULT_AMPLIFICATION 70
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/* Default sampling rate, default polyphony, and maximum polyphony.
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All but the last can be overridden from the command line. */
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/*#define DEFAULT_RATE 32000*/
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#define DEFAULT_RATE 44100
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#ifndef DEFAULT_VOICES
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#define DEFAULT_VOICES DEFAULT_DSPVOICES
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#define DEFAULT_VOICES 64
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/* Should check this. MAX_DSPVOICES should be the
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number of Timidity "channels", but the maximum number
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of polyphonic voices playing simultaneously should be
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larger. Now the two maxima are treated the same.
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#define MAX_VOICES MAX_DSPVOICES
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#define MAX_VOICES 128
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/* The size of the internal buffer is 2^AUDIO_BUFFER_BITS samples.
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This determines maximum number of samples ever computed in a row.
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For Linux, FreeBSD and BSD/OS users:
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This also specifies the size of the buffer fragment. A smaller
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fragment gives a faster response in interactive mode -- 10 or 11 is
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probably a good number. Unfortunately some sound cards emit a click
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when switching DMA buffers. If this happens to you, try increasing
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this number to reduce the frequency of the clicks.
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You should probably use a larger number for improved performance.
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#define AUDIO_BUFFER_BITS 12
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/** #define AUDIO_BUFFER_BITS 11 **/
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#define AUDIO_BUFFER_BITS 10
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/* 1000 here will give a control ratio of 22:1 with 22 kHz output.
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Higher CONTROLS_PER_SECOND values allow more accurate rendering
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of envelopes and tremolo. The cost is CPU time. */
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/*#define CONTROLS_PER_SECOND 1000*/
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#define CONTROLS_PER_SECOND 2000
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/* Make envelopes twice as fast. Saves ~20% CPU time (notes decay
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faster) and sounds more like a GUS. There is now a command line
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option to toggle this as well. */
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/*#define FAST_DECAY*/
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/* How many bits to use for the fractional part of sample positions.
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This affects tonal accuracy. The entire position counter must fit
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in 32 bits, so with FRACTION_BITS equal to 12, the maximum size of
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a sample is 1048576 samples (2 megabytes in memory). The GUS gets
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by with just 9 bits and a little help from its friends...
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"The GUS does not SUCK!!!" -- a happy user :) */
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/* #define FRACTION_BITS 12 */
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#define FRACTION_BITS 13
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/* For some reason the sample volume is always set to maximum in all
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patch files. Define this for a crude adjustment that may help
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equalize instrument volumes. */
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#define ADJUST_SAMPLE_VOLUMES
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/* If you have root access, you can define DANGEROUS_RENICE and chmod
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timidity setuid root to have it automatically raise its priority
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when run -- this may make it possible to play MIDI files in the
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background while running other CPU-intensive jobs. Of course no
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amount of renicing will help if the CPU time simply isn't there.
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The root privileges are used and dropped at the beginning of main()
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in timidity.c -- please check the code to your satisfaction before
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using this option. (And please check sections 11 and 12 in the
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GNU General Public License (under GNU Emacs, hit ^H^W) ;) */
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/* #define DANGEROUS_RENICE -15 */
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/* The number of samples to use for ramping out a dying note. Affects
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#define MAX_DIE_TIME 20
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/* On some machines (especially PCs without math coprocessors),
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looking up sine values in a table will be significantly faster than
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computing them on the fly. Uncomment this to use lookups. */
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/* #define LOOKUP_SINE */
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/* If calling ldexp() is faster than a floating point multiplication
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on your machine/compiler/libm, uncomment this. It doesn't make much
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difference either way, but hey -- it was on the TODO list, so it
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/* #define USE_LDEXP */
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/**************************************************************************/
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/* Anything below this shouldn't need to be changed unless you're porting
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to a new machine with other than 32-bit, big-endian words. */
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/**************************************************************************/
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/* change FRACTION_BITS above, not these */
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#define INTEGER_BITS (32 - FRACTION_BITS)
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#define INTEGER_MASK (0xFFFFFFFF << FRACTION_BITS)
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#define FRACTION_MASK (~ INTEGER_MASK)
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/* This is enforced by some computations that must fit in an int */
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#define MAX_CONTROL_RATIO 255
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/* Audio buffer size has to be a power of two to allow DMA buffer
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fragments under the VoxWare (Linux & FreeBSD & BSD/OS) audio driver */
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#define AUDIO_BUFFER_SIZE (1<<AUDIO_BUFFER_BITS)
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#define BB_SIZE (AUDIO_BUFFER_SIZE*512)
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typedef unsigned long uint32;
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#elif SIZEOF_LONG == 8
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typedef unsigned int uint32;
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#error "We don't know where to find a 32 of our bits!!"
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typedef unsigned short uint16;
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typedef unsigned char uint8;
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/* Instrument files are little-endian, MIDI files big-endian, so we
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need to do some conversions. */
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#ifdef WORDS_BIGENDIAN
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#define MIDI_BIG_ENDIAN
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#define MIDI_LITTLE_ENDIAN
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#include <osreldate.h>
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#include <machine/endian.h>
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/* The macros have changed recently */
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/* And a better idea would be to attempt the various asm
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optimizations ourselves IMO, but hey, this is free */
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#if __FreeBSD_version <= 500000
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#define XCHG_SHORT(x) __byte_swap_word(x)
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#define XCHG_LONG(x) __byte_swap_long(x)
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#define XCHG_SHORT(x) __uint8_swap_uint16(x)
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#define XCHG_LONG(x) __uint8_swap_uint32(x)
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#define XCHG_SHORT(x) ((((x)&0xFF)<<8) | (((x)>>8)&0xFF))
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#define XCHG_LONG(x) \
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asm ("bswap %1; movl %1,%0" : "=g" (__value) : "r" (x)); \
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#define XCHG_LONG(x) ((((x)&0xFF)<<24) | \
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(((x)&0xFF00)<<8) | \
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(((x)&0xFF0000)>>8) | \
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#ifdef MIDI_LITTLE_ENDIAN
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#define LE_SHORT(x) x
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#define BE_SHORT(x) XCHG_SHORT(x)
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#define BE_LONG(x) XCHG_LONG(x)
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#else /* MIDI_BIG_ENDIAN */
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#define LE_SHORT(x) XCHG_SHORT(x)
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#define LE_LONG(x) XCHG_LONG(x)
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#define BE_SHORT(x) x
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#define MAX_AMPLIFICATION 800
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/* You could specify a complete path, e.g. "/etc/timidity.cfg", and
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then specify the library directory in the configuration file. */
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#define CONFIG_FILE TIMID_DIR "/timidity.cfg"
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#define CONFIG_FILE DEFAULT_PATH "/timidity.cfg"
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/* These affect general volume */
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#define AMP_BITS (15-GUARD_BITS)
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typedef int8 sample_t;
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typedef uint8 final_volume_t;
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# define FINAL_VOLUME(v) (~_l2u[v])
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# define MIXUP_SHIFT 5
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# define MAX_AMP_VALUE 4095
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typedef int16 sample_t;
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typedef int32 final_volume_t;
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# define FINAL_VOLUME(v) (v)
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# define MAX_AMP_VALUE ((1<<(AMP_BITS+1))-1)
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/* #define MIN_AMP_VALUE (MAX_AMP_VALUE >> 9) */
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#define MIN_AMP_VALUE (MAX_AMP_VALUE >> 10)
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# define FRSCALE(a,b) ldexp((double)(a),(b))
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# define FRSCALENEG(a,b) ldexp((double)(a),-(b))
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# define FRSCALE(a,b) ((a) * (double)(1<<(b)))
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# define FRSCALENEG(a,b) ((a) * (1.0L / (double)(1<<(b))))
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/* Vibrato and tremolo Choices of the Day */
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#define SWEEP_TUNING 38
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#define VIBRATO_AMPLITUDE_TUNING 1.0L
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#define VIBRATO_RATE_TUNING 38
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#define TREMOLO_AMPLITUDE_TUNING 1.0L
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#define TREMOLO_RATE_TUNING 38
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#define SWEEP_SHIFT 16
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#define VIBRATO_SAMPLE_INCREMENTS 32
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#define MODULATION_WHEEL_RATE (1.0/6.0)
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#define VIBRATO_DEPTH_TUNING (1.0/4.0)
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#if defined(hpux) || defined(__hpux)
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extern char *sys_errlist[];
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#define PI 3.14159265358979323846
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#ifdef HAVE_SYS_STDTYPES_H
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#include <sys/stdtypes.h>
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extern char *sys_errlist[];
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#define PI 3.14159265358979323846
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#define rindex(s,c) strrchr(s,c)
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extern char *sys_errlist[];
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#include <sys/filio.h>
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# undef DECOMPRESSOR_LIST
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# undef PATCH_EXT_LIST
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# define PATCH_EXT_LIST { ".pat", 0 }
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/* The path separator (D.M.) */
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# define PATH_SEP '\\'
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# define PATH_STRING "\\"
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# define PATH_SEP '/'
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# define PATH_STRING "/"
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#define PI 3.14159265358979323846
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#if defined (__FreeBSD__) || defined(__bsdi__)
added
removed
kmidi/config.h
